After what I thought was a slight dropoff in its second season, man was Hacks back it its sharpest best in its third season. At this point, Jean Smart's brilliance on the show is understood, but I thought this was the best season for Hannah Einbeinder's Ava in her inability to make inroads without Deborah. I loved the overall storyline of Deborah's long, drawn out affair with wanting, trying, losing and finally winning the late night job. Even if the prestige of late night is way less in teh real world, it made perfect sense for a character like Deborah to try so hard for it. While the season also sidelined Marcus a bit, I really enjoyed the storyline of Jimmy and the Kayla as the two in-over-their-heads assistants. The comedy was great as always, but the show also I felt did its best job yet at tugging at heartstrings. So great to just have this show in our lives.
4.) What We Do in the Shadows (Season 6, Hulu)
To me the best comedy on TV has been this zany, played-as-straight "what if vampires were just part of the world" for a while now, but its final season was truly special and brilliant. It's almost like the fact the show was finally ending allowed the writers to just get way zanier about things. The idea to make Guillermo work in the real world, and somehow have each of the others just be part of the office was incredible. Similarly so were episodes like them experiencing March Madness, to so much more. I don't know if any sitcom plot worked better and was funnier than them building a fake Railroad company to give a sad human a job - that was one of the funniest single episodes I've ever seen from the show. While of course I'm sad the show is over, I'm both glad that it existed and glad that they took the end of the show as a catalyst to go deep into their bag.
3.) Fargo (Season 5, FX)
The first year I ever did this list was in 2014, and my #1 show that year was the original season of Fargo (back when it was in theory, just a miniseries). While the second season was basically as good (many thought better), the second was a clear step back and the fourth was just a snooze. It seemed crazy that we would get a fifth season of Fargo, but not only did we, but it was the best season of the show since the second one. What I really loved about this season, other than the best use of winter weather since S2, is it pared the show back a lot. It was a fairly simple story, but told just excellently - much like the original movie and show.
Like the great first and second season, man did this one have just a great cavalcade of characters, from the central points of Dot, Lorraine and the Sheriff (just an amazing Jon Hamm performance). Juno Temple was born to play that role with that accent, so perfectly mixing precociousness and seriousness. The random weirdos were great here, like a perfect use of Joe Keery as the Sheriff's son, to a great pairing with the local cops between Lamorne Morris and Richa Moorjani. The shohow visually looked stunning, and the drama was as tight as ever - with some real stakes and horror at its strongest parts. I really can't point to any single element of the season that was not just super well done, well acted, well written or well shot. No idea if there will be a sixth iteration, but at this point sign me up as a "you betcha" to that idea.
2.) Ripley (NETFLIX)
It's funny talking about this right after Fargo, as just like many people were horrified that some TV person would think to take a movie masterpiece and recreate it with Fargo, so too were people here. But if anything, I think you can make very good arguments that the Ripley show was better than the movie, or at least a better adaptation of the book. The problem with the movie? Everything's too pretty, bright, beautiful and alluring. This is a dark story and both putting it in pristine black and white, and getting a truly devious performance from Andrew Scott as the notorious Ripley. Dakota Fanning was also incredible. Honestly, the casting and acting was note perfect to the darkness of the actual story.
I thought I would find the black and white thing a bit annoying but honestly, it worked perfectly. It made this feel like a play, like a story out of time. If anything, the show looked sharper and more captivating in the black and white. It was on the characters to give the story color and they did it brilliantly. What's also great was the angles it was shot at, the cinematography was perfect. And man the way it peeled back to every corner of the story. The advantage of TV is having eight hours vs. two for a movie - this had Breaking Bad type moments of showing the step by step of each part of his ruse, how he deliberated and executed against a few tough spots. It went into detail around how menacing and intelligently conniving Ripley really was. If anything, the lasting part of this show is me hoping other Steve Zaillian type auters try this with other old movies.
1.) Shogun (Season 1, FX)
Even before Shogun aired it was getting amazing reviews from people that normally are a bit slow to give such high praise. It was billed as FX's version of a Game of Thrones, with surprisingly the scenery, budget and so much else that a channel like FX normally gets dwarfed by HBO. The show then aired, and was as good as advertised. It was sprawling, it was epic, it was dramatic, it was poetic. It had amazing central performances from Hiroyuki Sanada, Anna Sawai, Tadanobu Asano, and even the anjin himself, Cosmo Jarvis. The show was unrelenting in telling the story from the Japanese perspective, and did it so well.
Where Shogun really excelled was showcasing a real world in exacting detail - the traditions, the scheming, the battles, the mysticism of Shogunate-era Japan. The politics were clear, but the scheming stayed intelligent and levels ahead. The writing (admittedly, when I say writing I mean the English translation) was pointed and poignant - with some incredible parables and dramatic monologues to rival a Game of Thrones or other legendary shows. Everything was intentional, down to the great idea to turn Western Colonialism on its head where the Anjin was continually surprised by how well functioning and fancy Japan was, vs him being shown as an insolent rapscallion at first. it took every problematic issue from the short-lived Shogun series in the 1980s and turned it completely into something beautiful.
I could've listened to Lord Toronaga plot for days, and Anna Sawai's Mariko working through various alliances and histories to find herself in a position of power. Yet let's not look past the action scenes, from the battle being interrupted by an earthquake, to the actual sieges and samurai work. It is truly staggering they were able to concoct all this with an FX-type budget. At the end of the day, it was going to take something truly special for any other show to take this spot that Shogun firmly in February and never looked back.