40.) Shameless
Shameless is now on its 4th Season, and it is going through some large changes making it very different from what the show used to be. Jimmy(Steve) is no longer a character, Fiona is in a steady job (for now), Lip is in college, and, of course, Frank can't drink, but the lifeblood of the show remains. Shameless showed a really unique side of America, the lower-class white community, that hadn't really been shown before. It wasn't always shown well (almost anything involving Sheila in Seasons 1-3 didn't work for me), but it was unendingly entertaining.
39.) Oz
Just like The Larry Sanders Show, I haven't seen all of Oz, but I've seen enough to get a good idea of what it is all about. Oz was the first real HBO drama to be critically acclaimed, coming a good three years before The Sopranos and five years before The Wire. Telling the story of an experimental unit of a prison, Oz was able to combine the exploration of different themes and thoughts with drama and prison intrigue. It was always informative, but a little slow at times.
38.) iZombie
I don't know if any show has ever had a more ludicrous plot as iZombie. For a quick recap, the show centers around a girl who gets turned into a Zombie, but in this case zombies can live a normal life... if they eat brains. To eat brains, she becomes a coroner, but in this world, eating brains makes you take over some characteristics of the dead persons life. Got all that? Anyway, what the show really is about is a cutting procedural, with an incredible amount of world building, including insightful views of corporate greed, family disputes, the medical industry, and so much more. The show gradually made the world know about the Zombie problem, which should only increase the depths it can plough. Rob Thomas did it again with iZombie, a show that could rise up the list as ti continues - somehow getting more seasons on air than Veronica Mars.
37.) How I Met Your Mother
If the show stopped and never came back at the end of Season 2, well before we met the mother, and it ended with Barney mid-word, it would be a good 15 or so spots up the list. The first, to be fair, four seasons of HIMYM were such a breath of fresh air, the first 'Friends' clone to creatively tweak the same formula. The way the show played with timelines, and narration and mystery was so good. The characters were all interesting and hilarious. Of course, the show did not stop after two or four seasons, and devolved into a mess in its later years, but the first few years were about perfect for a 'traditional' comedy in a world where mockumentaries reigned supreme. Plus, Seasons 1-4 Barney may have been one of the great sitcom characters ever, with a brilliant performance by Neil Patrick Harris, and secondly the show did a great job of mining comedy out of a happy marriage. No small feat, making its slow devolution in its 2nd half all the more sad and unexpected.
36.) The Good Place
There's a few shows on this list that are still in their early stages of what could, and hopefully will, be long runs. The Good Place is truly a unicorn, a comedy on a broadcast network that was so unexpected. Michael Schur can rarely do wrong, but he hit it out of the park here. The serialized nature of the show is unlike anything I've seen, and the show is so smart in its comedy, even in a case where one of the main characters is riotously dumb. I don't know how many times they can pull the rug out, but each plot twist has worked. Ted Danson and Kristen Bell are both great in their roles, but the real stars are the visual gags. I do wonder how far they can take it, but in a world where broadcast comedy seems dead, Michael Schur uncovered something great.
35.) Orange is the New Black
NETFLIX's first great original series hit back in 2013 (if we're not counting House of Cards), Orange is the New Black was so unique when it started, for so many good reasons, highlighting strong female characters, a variety of ethnicities, all played quite well, and just enough hard moments to remind people these people are all in prison. The flashbacks only worked about half the time, and the seasons varied in quality quite heavily (largest mis-step to me was the 2nd season, with the drama centering around Red vs. Vee), but the long story of privatization was a cutting social commentary, and the show was smart enough to shift focus away from Piper as it went on. She was out entry point, but Kenji Johan drew enough interesting characters to take the focus anyway.
34.) Parenthood
There shouldn't be a place for family dramas in the current TV landscape, but Parenthood continues to work. Sure, they've had their missteps over the years (let's just pretend Kristina never ran for mayor of Berkeley), but they've also had some incredible shining moments. All the early material with Max's asperbergers was brilliant, grounded a show that took a while to flesh out its other characters. Like most shows on this list, the acting was brilliant from the beginning. Every character was well cast, even Ann-hog/Beal/Plant/Annabeal Veal herself, Mrs. Mae Whitman. All the stuff with the Siblings Braverman has been awesome from the beginning, including every scene when the four of them are together. They've touched upon basically ever family conflict (divorce, affairs, adoption, child rearing, illness, cancer, money, moving) and done almost all of them well. The show will probably end soon, and just in time to finish off that Bingo! of Family Drama topics with a perfect A- average.
33.) The Larry Sanders Show
I haven't finished the entire show, but from what I have seen, it does 'Behind-the-Scenes of Show Business' better than any show I've seen. It isn't the absurdist show that 30 Rock is, but had a great cast of characters, and used guest stars, which it had basically every episode, quite well. It just wasn't always funny all the time.
32.) Men of a Certain Age
Just like the show at #19, Men of a Certain Age lasted just two seasons on the air, before it could make a real lasting impact and totally figure itself out. But whatever it did, it worked incredibly well. Ray Romano was always underrated in his acting on ELR, but he proved just how good an actor he was on this show. Of course, it was hard him to even stand out next to Scott Bakula and Andre Braugher, all getting good material and playing the hell out of it. This show probably had the lightest stakes of any drama, but those light stakes just made it realistic, really, incredibly, realistic. Romano gave each of the main three characters some interesting beats to play, but the overarching tone was to get over disappointment and enjoy whatever you can about that 'Certain Age'. What I really loved about the show was the small set of recurring characters it had, but how well placed they all were inside that shows ecosystem. A great blend of overarching darkness and small moments of joy.
31.) Narcos
30.) The Deuce
Of the few shows that have just started, I don't know if any can rise higher than The Deuce. David Simon knocked it out of the park in the first season. Yes, the stakes aren't as life or death as The Wire, and the gratuitous sex is almost tiresome, but just like in The Wire, the varying shades of gray in the characters is so good. The rise of both the porn industry as it relates to prostitutoin is a bottomless well of interesting plot. It was so great to get so many ex-Wire actors back on stage together, but the real stars to me are the newbies, in both of James Franco's characters, the mobster Vinnie Poppilo, and Magie Gyllenhall as the enterprising ex-prostitute. The show is supposed to include some time-jumps to come, which may make the show lose some of these characters. We'll see if that works, but for now, the show hit on something special.
29.) Archer
I've backlogged Archer Vice right now, but through four seasons, Archer has become one of my favorite wasting-time shows that I put on in the background. I can't get enough of the fast-paced dialogue, the ridiculousness of Sterling, the brilliance of what is essentially Lucille Bluth, and everything else that makes Archer so damn funny. My only quibble is I'm not always a fan of the HR people back at the office like Pam and Cheryl.
28.) The Young Pope
Even if the show does come back as 'The New Pope', I'll consider that separate and The Young Pope a single installment, and man was it great. struggle to put shows too high that only go one year, because quality across more volume is more impressive, but The Young Pope was so good in its limited run. Surrealism doesn't always work on TV, but The Young Pope toed the line between realism and surrealism, with teh way it was shot, the airy quality. Jude Law's performance was amazing, but no better than the actor that played Cardinal Voiello and even Diane Keaton as Lenny's surrogate mother. The show was able to also provide an incredible view of religion vs. capitalism and corruption, in the best way possible, with the smarmy, caustic, cool Young Pope wanting to turn the church back centuries and getting stopped by the older guard ready to move forward. It wasn't great because of the religious commentary, it was great because it could go so far beyond that.
27.) Nathan For You
After the reality boom of the early 2000's, it was no surprise that that was folowed by the faux-reality show era - and to me no show did that better than Nathan For You. The show started with a consistently brilliant formula, with Nathan Fielder going t some small business owner in the LA area, posing as a 'business consultant' and coming up with some ridiculous, yet somehow brilliant, scheme to make the business grown. That show was very good, yet Fielder turned the show into something bigger, deeper, and better, by starting to grow beyond that set-up and investigate himself. The 3rd season wa the best yet, peeling the onion back on Fielder himself and his loneliness and isolation. The show got a, most likely final, 4th season, and a good finish could really move it up the list.
26.) American Crime Story: The People vs. OJ Simpson
Again, really tough to name any show that was just one season, but The People vs OJ Simpson was so incredibly well done, just an incredible show of art, mixing great dramatic moments and a whole lot of fun. The performances were across the board fantastic, especially those portraying Marcia Clark, Johnny Cochrane and Chris Darden. The other members of the dream team, including even Travolta's at times strange portrayal of Bob Shapiro, were fantastic. The pacing of the show was excellent. Despite knowing so much about the case and the events around it, the episodes were all still riveting, just great television entertainment.
25.) Everybody Loves Raymond
The best traditional sitcom I have seen still gets high praise for me. Everybody Loves Raymond was more like a series of little plays, using a few characters and even fewer sets. Everyone's role was well-defined and consistent. There was little character growth but there never needed to be. Instead of put the family in funny situations, they made the family respond to normal situations in the funniest of ways. A consistently good traditional family sitcom should not work in this environment, but Raymond not only worked, but got better as it went on.
24.) Better Call Saul
No, the show is not going to approach Breaking Bad, but could find its way quite a bit up the list as time moves on, especially as the Mike and Jimmy/Saul halves start to coalesce. So far, they've been mostly two separate stories, both told with exacting detail. It's interesting that the Saul half has largely stayed outside the Breaking Bad story, and for that I actually find it more entertaining. Bob Odenkirk has been so good, and Michael McKean as good as Chuck, creating an incredibly suspenseful story arc about mostly legalese and strange picadillos (Chuck's fear of electricity). With Chuck potentially dead as Season 4 starts, it may start heading towards Jimmy teaming up with Mike, and how that plays out should cement how the series is remembered.
23.) Friday Night Lights
If you took Season 2 away, the show makes the Top 20. That season was such a mis-step, but even then it can't ruin how good the rest of the show was. The first season was about as good a season of family drama ever. The way the showed weaved so much small town drama and life through football was incredible, and the way the Taylor's marriage was played out might have been the best TV marriage ever. I felt the 2nd round of kids, mainly the East Dillon folks, from Season 4-5 never worked as well as the first set with Saracen, Smash, and the rest. Few other aspects of the show to cover are how well they showcased religion without proselytizing it, and how well the football, outside of the game action, played out.
22.) Happy Endings
Man, if only Happy Endings was on NBC, it would have been easily entering its 4th season right now. I've never seen a show start out aimless but find itself so quickly and so effectively. The show started out as a romantic comedy of a group of six friends reacting to one of them leaving another at the alter. That version ended in about 4 episodes. After that, it became a brilliant, pop-culture, caustic joke-machine. I've never seen a show mine so much comedy out of friends being mean to each other. They also quickly defined each character into solid, separate roles that all worked. It's extremely rewatchable, as you pick up little nuances in the performances that make it so damn joyful. It would be higher if it lasted more seasons, and if the first eighth of the show didn't suck. In retrospect, it would have been amazing to see how long they could have kept the pace up,. Even at times in third season it slowed down, but just for an episode or two. After that, they would return to being the most rapid-fire joke show in the last 10 years.
21.) Party Down
It's odd to hold a show back for only lasting three seasons only to extol the virtues of a show that lasted just two, but Party Down was really, really good. It's a pretty novel idea created initially by Paul Rudd, and then by his friends Rob Thomas (not the singer) and Dan Etheridge. They, combined with one of the most talented casts you will see, created a really good show that did not ever have a bad episode. They took eight people that were extremely talented, gave them good material, and let the talent do what talent will do. What killed the show, ironically, was that incredible cast, as they couldn't hold such talent forever on a show on Starz that no one watched live. First, it was Jane Lynch getting called for Glee, but what ended the show effectively was losing Adam Scott to Parks and Recreation. They did leave behind 20 episodes of pure gold, detailing the lives of cater-waiters just trying to have fun in whatever ridiculous situation their job puts them in.
20.) Silicon Valley
Three seasons in, and Silicon Valley continues to be a laugh riot, despite how often they go to the whole 'this is the biggest day in Pied Piper's History' theme. It really all comes down to the insane talent on hand in the cast. The breakout star is TJ Miller, but adding comedy vet Martin Starr, with improv great Tomas Middletich, and stand-up vet Kumail Nanjiani, and other improv-great Zach Woods, you get an incredible result. Few shows can assemble that type of roster, hand them good material, and let them improve on it. Having Pied Piper stay in a status quo has helped keep the show grounded, and you have to think that places an expiration date, but until then, we can just enjoy watching these extremely talented people have a blast making each other and us laugh.
19.) Whose Line is it Anyway
It's a show that still works better in Youtube form when you can pick and choose your favorite sketches (or just watch loops of Colin and Ryan bantering in the intros to various sketches), but the show was ahead of its time. It was when UCB and the alt. comedy/improve was just becoming mainstream in clubs, but far before the same was true on air. Still, Whose Line left us with tons of episode of laughs upon laughs. Sure, it wasn't totally improv (the cast members knew what games were being played, and the show was edited), but it was pretty much improv, and showcased a bunch of talented people. Apart from Wayne Brady, and to a point, Greg Proops, none of them have found lasting success outside the show, but my God they were gold on the show. Whose Line should have been more successful, but it was always a cult hit with tweens (I was among that group when the show was on the air), and found a lasting presence online.
18 & 17.) Veronica Mars & Buffy the Vampire Slayer
I'll admit, I've seen every episode of these shows. They're hard to really place apart from each other, as they follow similar constructs: a strong, beautiful female high-school girl who has a special talent but lives as an outcast. She befriends some other strange people, has an older male guide, and solves everyone's problems. There are major differences. Veronica Mars was far more grounded. It did a lot better actually showing the dynamics of a high-school environemnt. Buffy added fantasy to the mix, but also did better in romantic storytelling. They're both excellent shows. Buffy probably reaches higher peaks, but Buffy also lasted past its expiration date and suffered with lackluster Seasons 5 and 6. Veronica Mars, coming a good seven years after Buffy premiered, never got the chance to last that long, but that allowed it to leave before it got dated. Both the lead actresses were wonderful in their roles. Buffy had a stronger core group of supporting characters (Xander, Willow, Giles, Angel for a period, Spike for period), but Veronica Mars had a deeper stable of dependable, if not true supporting, characters. Buffy kind of perfected the 'Big Bad' style of storytelling, while Veronica Mars did as good a job of playing out a murder mystery as anything you will see on a more adult show. Two great shows, and I'm not even close to joking.
Some Really Great Shows
15.) Boardwalk Empire
Full disclosure, I've only finished watching the first two seasons and two episodes of Season 3, but I think it's time I can judge what I have seen. I'm fascinated by this world, by the show, by the deliberate pacing, the touches of the 20's. Boardwalk Empire is to me what Mad Men is to so many: a brilliant period piece showing a fascinating time in American History. It is slow, but so many of the greatest crime and mafia works of art in US history have been slow (The Godfather, Pt. 1 and 2). The show is tremendously well acted, and well paced. I would never have imagined Steve Buscemi being so good as such a tough man but it works brilliantly. It's one of the rare shows were I have really no complaints with anything they've done. It was pretty much all 'A-minus' work, and that is really hard to do so consistently. I also love how they've worked in real life event and people (Al Capone, Arnold Rothstein, the 1919 Black Sox Scandal, and so much more). The show has woven a deep, timeless tapestry of life in The Prohibition Era.
15.) Bojack Horseman
Five seasons in and Bojack Horseman is widely viewed by critics, or at the very least people who have watched the show, as the best NETFLIX original series by far. It is amazing that this show has (a) been this good, and (b) lasted this long while still being fresh. The idea of a world with humans living with anthropormorphic animals is ridiculous enough, but adding in all the overlay, the amazing show of loneliness, pains of celebrity, depression, love, and all of that placed on top of one of the funniest shows in recent memory? This is a ridiculous formula that not only works, but shows greatly. I do wonder how far this can go, but as of right now, it is amazing how fresh the show remains five years in. How well they are able to craft new, interesting, stories of the year, and how smart and sharp they are with their background jokes and sight gags. In early years, I considered Bojack to be a animated Arrested Development to some degree. At this point, it can stand easily on its own.
14.) Curb Your Enthusiasm
There is a non-trivial chance that Curb never returns. Of course this will be a sad-thing, but Larry David has generally said that he'll stop when he no longer has ideas, so it's probably better for him to stop off a solid season. Curb probably isn't as consistent as many of these shows, but few reached the heights it did. Few were able to feature such well-to-do characters and still make them grounded. Making Larry single kicked the show in the ass after some less than stellar seasons in Season 5 and 6, and returned the show to its old glory (reuniting Seinfield did that as well). It's stunning that the show is mostly improvised, as the jokes are so sharp, so witty. Also, no show has used guest stars better. Sure, Curb gets to use recurring characters playing themself, but they've made those characters almost always seem more than just stunt-casting. Curb's left a lasting impression on the comedy world for a lot of other shows to copy. Hopefully just one of them can come to close to matching it.
13.) The Colbert Report
The Colbert Report will never be better or worse than it is right now and what it was five years ago. It hasn't really ever changed apart from some segments replacing others. It's about Stephen, it is about him being incredibly talented and great in character, and challenging people to know how to enjoy satire. The writers are brilliant in being able to have genius takes on obscure news stories, but the researchers are the key. It is a lot easier to satirize a story and make the host the start when you are talking about asininely ridiculous things as they do. Anyway, The Colbert Report also found its foothold in giving us some of the most interesting interviews you can see anywhere. Colbert does use an unfair tactic about defending his position in character (see: ridiculous), but prosecuting his interviewee's position out of character (see: realist), but that just leads to some awesome, awkward, hilarious interviews. Because of Jon Stewart's summer hiatus, The Colbert Report finally won the 'best variety show' Emmy last year, and better late than never, as it definitely has deserved more than just one over its almost nine-year run.
12.) Tough Crowd with Colin Quinn
The Colbert Report essentially replaced Tough Crowd after two seasons, and thankfully they kicked Tough Crowd off the air for something worthy. A while ago I wrote that Tough Crowd would do much better today when standups are more notable in the public. I'm not so sure that is true. These were mainly the East Coast comics, the one's that burnt each other all the time, that responded with completely politically incorrect insults. It wasn't the West Coast let's-all-be-happy comedian group that kind of dominates today. Also, it featured conservatives. Big conservatives. But that's what made Tough Crowd so great. It didn't only have liberals, it didn't stick to any talking points. In fact, Colin Quinn quit the show than accept Comedy Central's directions to focus more on pop culture and less on politics and race. The show debated some interesting topics, but the real joy of watching the show was it shined a light on the famous back-room table discussions at The Comedy Cellar. It showed comedians just riffing on each other, pounding the comedian who told a bad, pandering joke, making fun of each other all the time. Sometimes the discussions went off the rails, but there was alwaays some jokes to be found. Colin Quinn cut as little as possible to show the jokes that bombed, showed the negative reactions, but also show just how much great comedians made each other laugh, and they made us laugh too.
11.) Parks and Recreation
Like many shows that lasted over four seasons, Parks and Recreation settled into a nice little groove, consistently churning out B episodes. They're still doing it too. What's nice about Parks is there has actually been character development that seemed really natural. Ron's now married. Tom's a semi-successful entrepreneur. Leslie's achieved her dream and now lost it. Beyond all this plot development laid an extremely funny show. Parks and Recreation did a far better job satirizing politics than people gave it credit for, but more notable was just how well they wrote that world. Nothing seemed more funny and eccentric than the town of Pawnee. They also were smart enough to limit the use of Ron Swanson, an unending pot of comedy Gold. Like HIMYM, Parks and Recreation is nowhere near as good of a show post Season 4, but unlike HIMYM, it is still a good show, and good enough to basically hold this ranking going forward.
10.) Fargo
Fargo's upside is huge. Another great season with a disconnected, but fully contained storyline can move it way up the list. Few shows have ever hit home runs the way Fargo has in both its first and second season... and none of those shows tried to do what Fargo did, first put on a show inspired by a beloved movie, and then change course completely, make something unconnected, and be as good if not better. Fargo has excelled at everything so far, from tone, to visual brilliance, to the acting of all the regulars in Season 1 and 2. It has also managed to maintain some of its connection to the thematic elements of the Coen Brothers, from extended parables, to mass violence, to fully off-beat characters. Fargo followed up a brillaitn first season with a brilliant period piece. The expectations are fully high now, and it will be interesting to see how Season 3 plays out. Either way, Fargo has put up the best contained storytelling since Breaking Bad.
9.) Game of Thrones
Full disclosure, I haven't ready any of the books, and apart from one spoiler I know nothing of what is coming forward. Anyway, the show rebounded from a slightly (relatively) disappointing 2nd season with a great 3rd season and a real hope for a great future of the show. There's a couple things this show does better than any I have scene: shoot the show in incredibly beautiful locations, and create lovable, hateable characters. They force people to accept the bad guy, but they make the bad guys so damn good. Game of Thrones has a large cast but they've done a great job of casting the show. There are few weak links in that cast, which matters a lot when they're given odd literary material to play with. This is one of the few film projects based off a book series that will probably be better in live-action form.
8.) Veep
With Armando Ianucci leaving, Veep is at a crossroads; and luckily if it falls down without its creator and guide, the show has put up four seasons of brillaint satirical comedy. Veep started the same year House of Cards did, and despite the critical acclaim the latter received, multiple DC insiders said Veep actually did a better job of portraying Washington. Since then, Veep has gone bigger, from Selina Meyer taking a larger role, to starting to campaign for President, to actually becoming President (and invalidating the actual name of the show), and it has gotten better at every step. Liek it's HBO mate Silicon Valley, the real brilliance lies in teh cast. Julia Louis-Dreyfus is making a good case that Elaine Benes should be 1A on her resume. The rest of the cast combines comedy veteran greats like Matt Walsh, Tony Hale, Gary Clark, and now Hugh Laurie, and uncovering some new stars, the best being XXXXX as Jonah Ryan. It will be interesting to see where Veep goes wthout Ianucci, but even if it falls slightly, it has made its mark satirizing politics at a time where politics became a more polarizing area of the mainstream conscious.
7.) It's Always Sunny in Philadelphia
I said two years ago during my Comedy Power Rankings that It's Always Sunny was the best cable sitcom of all time. I still believe that to be true, and the two seasons that have happened since then only strengthened its position. It's Always Sunny, despite becoming more and more mature, has still been able to tie itself to its amazingly raw beginnings. Always Sunny has been able to satirize everything quite brilliantly and still show itself to be the raw, fast-paced dialogue based show it was in the beginning. They incorporated Danny DeVito brilliantly. Always Sunny has proven itself to be far smarter than anyone could have imagined. Rob McElhenny, Charlie Day, and Glenn Howerton have shown themselves to be as adept as writers and show-runners as they are as actors. It may mask itself as a show about five doofuses 'running a bar' while coming up with crazy schemes of the week, but the show is showing the idiocy in everything in the world.
The Pantheon
6.) The Daily Show with Jon Stewart
In one sense, The Daily Show isn't long for this world. Hints have been dropped that Stewart is far closer to leaving than staying. There's rumors that he will replace Dave Letterman as the Late Show host whenever he decides to retire, or maybe leave to produce movies. Still, as long as he's on The Daily Show, Stewart gives it the commanding presence it deserves and has always maintained since he took over 15 years ago. The show's definitely changed to a more overt criticism of news media and not just news, but remains the standard for political comedy discourse. His stable of correspondents have gone on to have success much the same way SNL players used to, and Stewart always used them well when they were on the show. The Daily Show has somehow kept its sense of purpose and Stewart has kept his enjoyment for all 15 years, which is an amazing feat given the amount of political turmoil the country has been through since he was hired. The show likely will carry on after Stewart leaves, and likely won't be as good, but The Daily Show, under Stewart's reign, has already made its mark on American TV history.
5.) Chappelle's Show
Chappelle's Show has fewer episodes of any show in this Top-10, but it didn't need to make any more to establish itself as one of the great shows of the 2000s, and one of the lasting culturally important comedy shows ever. Obviously, the part people remember about te show is the way it challenged race perceptions in the US, but that really is missing the forest for the trees. The show really excelled at just pointing out how different Black and White America was, and mining and incredible amount of comedy from just juxtaposing those cultures. Of course, when it just decided to focus on something random, not really pointedly connected to race, the show remained incredibly funny still. The amount of famous sketches are there, but they are backed up by a host of forgotten sketches that were just as funny. Chappelle left quietly under the night sky to Africa instead of doing a Season 3, and maybe just in time, as he left 24 great episodes, hours upon hours of great, rewatchable sketches, and a lasting comedic memory that will never leave.
4.) Seinfeld
For years I never watched Seinfield, never understood its appeal. Of course, the fact that I hadn't watched it made that second fact a little obvious. Then I started watching it. I started watching all the episodes. I started understanding its appeal, understanding what made it one of the best shows ever. I finally reached the point where I kind of figured it out. Seinfield was the best traditional sitcom because it found comedy in the most un-traditional of ways. It made its comedy in dialogue, in characters, in oddities, not in situations, not in romance, not in plot. It also got together four absolutely brilliant comedic actors/minds. Jason Alexander was amazing. Michael Richards was amazing. Julia Louis-Dreyfus was (and still is) amazing. Jerry and Larry co-wrote the thing. What do you get when you combine the creator or Curb Your Enthusiasm with another brilliant comedic mind of their generation? You get Seinfield, a show immensely rewatchable, a show that stayed funny over 150 episodes, over 10 years. No show on this list apart from The Daily Show ran longer, and few were better.
3.) Breaking Bad
Breaking Bad's incredible success commercially in its final season was odd to see as someone who had watched the show far earlier. It went from being a solidly watched show for cable (about 2 million) to being the most watched thing not on a network just like that. There's no show you can point to social media and Internet 2.0 being the catalyst of its success like Breaking Bad,. Of course, it helps that it was absolutely amazing. There may never have been a character short of Tony Soprano (a show I have yet to see) that was so well constructed, let alone well acted, as Walther H. White. The rest of the show had a nice, small, but well constructed cast, but it comes down to Walter White. In its totality, it is a perfect character piece, a great look at what really drives man, greed, love or desire. The meth (the science) went from the forefront to the background as the show went on, but what replaced it was more drama, more intensity, and more incredibly acted scenes. So much of what Breaking Bad was an exercise in the science of a TV show, in the creation of great moments, like the brilliant photography, the one-on-one dialogue, the interesting locations. Breaking Bad was a perfect showcase for what the medium can be.
2.) Arrested Development
I've written a lot about Arrested Development, and deservedly so. The show was that good at times, just a perfect show that encompassed everything you could ask from a comedy program. They could wear any hat, do any type of comedy. But the real differentiating factor was the show's tone, that it found almost immediately. It was that tone, that life, that allowed the show to portray what was seemingly a believable family made up of absolute narcissistic idiots. They were able to have absurdist ideas and dialogues and ground it in a relatble way. They did something impossible: essentially be a plot driven and joke driven show at the same time. They wrapped reference upon reference in the show, hid jokes behind jokes. I still find new jokes each time I watch episodes. The show was just so well written, so amazingly cast, and so well put together. It really comes back to that tone. Put on any random episode of Arrested Development and within five minutes you get that tone, you get the feeling you are watching a show unlike any other. 30 Rock tried to be that way, but it never got as grounded (or as funny). Arrested Development was pretty damn perfect. I highly doubt I'll ever watch any comedy that is simply just that good.
1.) The Wire
I've written way too much about The Wire, especially with a certain 50 Top Characters ranking back in the February-March of 2012, but I could probably pump out 10,000 more words. Here's the best thing about The Wire: It has essentially ruined shows for me forever. Nothing will really live up to the standarad that The Wire set about how good the TV Mdium can be. Nothing will match it's character complexity, it's plot complexity, it's mix of dialogue and style. Nothing will match it. Stuff comes close. Breaking Bad came about as close as I can imagine a drama coming. I will never give up hope for a show to match The Wire, but it's pretty damn unlikely.
Shameless is now on its 4th Season, and it is going through some large changes making it very different from what the show used to be. Jimmy(Steve) is no longer a character, Fiona is in a steady job (for now), Lip is in college, and, of course, Frank can't drink, but the lifeblood of the show remains. Shameless showed a really unique side of America, the lower-class white community, that hadn't really been shown before. It wasn't always shown well (almost anything involving Sheila in Seasons 1-3 didn't work for me), but it was unendingly entertaining.
39.) Oz
Just like The Larry Sanders Show, I haven't seen all of Oz, but I've seen enough to get a good idea of what it is all about. Oz was the first real HBO drama to be critically acclaimed, coming a good three years before The Sopranos and five years before The Wire. Telling the story of an experimental unit of a prison, Oz was able to combine the exploration of different themes and thoughts with drama and prison intrigue. It was always informative, but a little slow at times.
38.) iZombie
I don't know if any show has ever had a more ludicrous plot as iZombie. For a quick recap, the show centers around a girl who gets turned into a Zombie, but in this case zombies can live a normal life... if they eat brains. To eat brains, she becomes a coroner, but in this world, eating brains makes you take over some characteristics of the dead persons life. Got all that? Anyway, what the show really is about is a cutting procedural, with an incredible amount of world building, including insightful views of corporate greed, family disputes, the medical industry, and so much more. The show gradually made the world know about the Zombie problem, which should only increase the depths it can plough. Rob Thomas did it again with iZombie, a show that could rise up the list as ti continues - somehow getting more seasons on air than Veronica Mars.
37.) How I Met Your Mother
If the show stopped and never came back at the end of Season 2, well before we met the mother, and it ended with Barney mid-word, it would be a good 15 or so spots up the list. The first, to be fair, four seasons of HIMYM were such a breath of fresh air, the first 'Friends' clone to creatively tweak the same formula. The way the show played with timelines, and narration and mystery was so good. The characters were all interesting and hilarious. Of course, the show did not stop after two or four seasons, and devolved into a mess in its later years, but the first few years were about perfect for a 'traditional' comedy in a world where mockumentaries reigned supreme. Plus, Seasons 1-4 Barney may have been one of the great sitcom characters ever, with a brilliant performance by Neil Patrick Harris, and secondly the show did a great job of mining comedy out of a happy marriage. No small feat, making its slow devolution in its 2nd half all the more sad and unexpected.
36.) The Good Place
There's a few shows on this list that are still in their early stages of what could, and hopefully will, be long runs. The Good Place is truly a unicorn, a comedy on a broadcast network that was so unexpected. Michael Schur can rarely do wrong, but he hit it out of the park here. The serialized nature of the show is unlike anything I've seen, and the show is so smart in its comedy, even in a case where one of the main characters is riotously dumb. I don't know how many times they can pull the rug out, but each plot twist has worked. Ted Danson and Kristen Bell are both great in their roles, but the real stars are the visual gags. I do wonder how far they can take it, but in a world where broadcast comedy seems dead, Michael Schur uncovered something great.
35.) Orange is the New Black
NETFLIX's first great original series hit back in 2013 (if we're not counting House of Cards), Orange is the New Black was so unique when it started, for so many good reasons, highlighting strong female characters, a variety of ethnicities, all played quite well, and just enough hard moments to remind people these people are all in prison. The flashbacks only worked about half the time, and the seasons varied in quality quite heavily (largest mis-step to me was the 2nd season, with the drama centering around Red vs. Vee), but the long story of privatization was a cutting social commentary, and the show was smart enough to shift focus away from Piper as it went on. She was out entry point, but Kenji Johan drew enough interesting characters to take the focus anyway.
34.) Parenthood
There shouldn't be a place for family dramas in the current TV landscape, but Parenthood continues to work. Sure, they've had their missteps over the years (let's just pretend Kristina never ran for mayor of Berkeley), but they've also had some incredible shining moments. All the early material with Max's asperbergers was brilliant, grounded a show that took a while to flesh out its other characters. Like most shows on this list, the acting was brilliant from the beginning. Every character was well cast, even Ann-hog/Beal/Plant/Annabeal Veal herself, Mrs. Mae Whitman. All the stuff with the Siblings Braverman has been awesome from the beginning, including every scene when the four of them are together. They've touched upon basically ever family conflict (divorce, affairs, adoption, child rearing, illness, cancer, money, moving) and done almost all of them well. The show will probably end soon, and just in time to finish off that Bingo! of Family Drama topics with a perfect A- average.
33.) The Larry Sanders Show
I haven't finished the entire show, but from what I have seen, it does 'Behind-the-Scenes of Show Business' better than any show I've seen. It isn't the absurdist show that 30 Rock is, but had a great cast of characters, and used guest stars, which it had basically every episode, quite well. It just wasn't always funny all the time.
32.) Men of a Certain Age
Just like the show at #19, Men of a Certain Age lasted just two seasons on the air, before it could make a real lasting impact and totally figure itself out. But whatever it did, it worked incredibly well. Ray Romano was always underrated in his acting on ELR, but he proved just how good an actor he was on this show. Of course, it was hard him to even stand out next to Scott Bakula and Andre Braugher, all getting good material and playing the hell out of it. This show probably had the lightest stakes of any drama, but those light stakes just made it realistic, really, incredibly, realistic. Romano gave each of the main three characters some interesting beats to play, but the overarching tone was to get over disappointment and enjoy whatever you can about that 'Certain Age'. What I really loved about the show was the small set of recurring characters it had, but how well placed they all were inside that shows ecosystem. A great blend of overarching darkness and small moments of joy.
31.) Narcos
30.) The Deuce
Of the few shows that have just started, I don't know if any can rise higher than The Deuce. David Simon knocked it out of the park in the first season. Yes, the stakes aren't as life or death as The Wire, and the gratuitous sex is almost tiresome, but just like in The Wire, the varying shades of gray in the characters is so good. The rise of both the porn industry as it relates to prostitutoin is a bottomless well of interesting plot. It was so great to get so many ex-Wire actors back on stage together, but the real stars to me are the newbies, in both of James Franco's characters, the mobster Vinnie Poppilo, and Magie Gyllenhall as the enterprising ex-prostitute. The show is supposed to include some time-jumps to come, which may make the show lose some of these characters. We'll see if that works, but for now, the show hit on something special.
29.) Archer
I've backlogged Archer Vice right now, but through four seasons, Archer has become one of my favorite wasting-time shows that I put on in the background. I can't get enough of the fast-paced dialogue, the ridiculousness of Sterling, the brilliance of what is essentially Lucille Bluth, and everything else that makes Archer so damn funny. My only quibble is I'm not always a fan of the HR people back at the office like Pam and Cheryl.
28.) The Young Pope
Even if the show does come back as 'The New Pope', I'll consider that separate and The Young Pope a single installment, and man was it great. struggle to put shows too high that only go one year, because quality across more volume is more impressive, but The Young Pope was so good in its limited run. Surrealism doesn't always work on TV, but The Young Pope toed the line between realism and surrealism, with teh way it was shot, the airy quality. Jude Law's performance was amazing, but no better than the actor that played Cardinal Voiello and even Diane Keaton as Lenny's surrogate mother. The show was able to also provide an incredible view of religion vs. capitalism and corruption, in the best way possible, with the smarmy, caustic, cool Young Pope wanting to turn the church back centuries and getting stopped by the older guard ready to move forward. It wasn't great because of the religious commentary, it was great because it could go so far beyond that.
27.) Nathan For You
After the reality boom of the early 2000's, it was no surprise that that was folowed by the faux-reality show era - and to me no show did that better than Nathan For You. The show started with a consistently brilliant formula, with Nathan Fielder going t some small business owner in the LA area, posing as a 'business consultant' and coming up with some ridiculous, yet somehow brilliant, scheme to make the business grown. That show was very good, yet Fielder turned the show into something bigger, deeper, and better, by starting to grow beyond that set-up and investigate himself. The 3rd season wa the best yet, peeling the onion back on Fielder himself and his loneliness and isolation. The show got a, most likely final, 4th season, and a good finish could really move it up the list.
26.) American Crime Story: The People vs. OJ Simpson
Again, really tough to name any show that was just one season, but The People vs OJ Simpson was so incredibly well done, just an incredible show of art, mixing great dramatic moments and a whole lot of fun. The performances were across the board fantastic, especially those portraying Marcia Clark, Johnny Cochrane and Chris Darden. The other members of the dream team, including even Travolta's at times strange portrayal of Bob Shapiro, were fantastic. The pacing of the show was excellent. Despite knowing so much about the case and the events around it, the episodes were all still riveting, just great television entertainment.
25.) Everybody Loves Raymond
The best traditional sitcom I have seen still gets high praise for me. Everybody Loves Raymond was more like a series of little plays, using a few characters and even fewer sets. Everyone's role was well-defined and consistent. There was little character growth but there never needed to be. Instead of put the family in funny situations, they made the family respond to normal situations in the funniest of ways. A consistently good traditional family sitcom should not work in this environment, but Raymond not only worked, but got better as it went on.
24.) Better Call Saul
No, the show is not going to approach Breaking Bad, but could find its way quite a bit up the list as time moves on, especially as the Mike and Jimmy/Saul halves start to coalesce. So far, they've been mostly two separate stories, both told with exacting detail. It's interesting that the Saul half has largely stayed outside the Breaking Bad story, and for that I actually find it more entertaining. Bob Odenkirk has been so good, and Michael McKean as good as Chuck, creating an incredibly suspenseful story arc about mostly legalese and strange picadillos (Chuck's fear of electricity). With Chuck potentially dead as Season 4 starts, it may start heading towards Jimmy teaming up with Mike, and how that plays out should cement how the series is remembered.
23.) Friday Night Lights
If you took Season 2 away, the show makes the Top 20. That season was such a mis-step, but even then it can't ruin how good the rest of the show was. The first season was about as good a season of family drama ever. The way the showed weaved so much small town drama and life through football was incredible, and the way the Taylor's marriage was played out might have been the best TV marriage ever. I felt the 2nd round of kids, mainly the East Dillon folks, from Season 4-5 never worked as well as the first set with Saracen, Smash, and the rest. Few other aspects of the show to cover are how well they showcased religion without proselytizing it, and how well the football, outside of the game action, played out.
22.) Happy Endings
Man, if only Happy Endings was on NBC, it would have been easily entering its 4th season right now. I've never seen a show start out aimless but find itself so quickly and so effectively. The show started out as a romantic comedy of a group of six friends reacting to one of them leaving another at the alter. That version ended in about 4 episodes. After that, it became a brilliant, pop-culture, caustic joke-machine. I've never seen a show mine so much comedy out of friends being mean to each other. They also quickly defined each character into solid, separate roles that all worked. It's extremely rewatchable, as you pick up little nuances in the performances that make it so damn joyful. It would be higher if it lasted more seasons, and if the first eighth of the show didn't suck. In retrospect, it would have been amazing to see how long they could have kept the pace up,. Even at times in third season it slowed down, but just for an episode or two. After that, they would return to being the most rapid-fire joke show in the last 10 years.
21.) Party Down
It's odd to hold a show back for only lasting three seasons only to extol the virtues of a show that lasted just two, but Party Down was really, really good. It's a pretty novel idea created initially by Paul Rudd, and then by his friends Rob Thomas (not the singer) and Dan Etheridge. They, combined with one of the most talented casts you will see, created a really good show that did not ever have a bad episode. They took eight people that were extremely talented, gave them good material, and let the talent do what talent will do. What killed the show, ironically, was that incredible cast, as they couldn't hold such talent forever on a show on Starz that no one watched live. First, it was Jane Lynch getting called for Glee, but what ended the show effectively was losing Adam Scott to Parks and Recreation. They did leave behind 20 episodes of pure gold, detailing the lives of cater-waiters just trying to have fun in whatever ridiculous situation their job puts them in.
20.) Silicon Valley
Three seasons in, and Silicon Valley continues to be a laugh riot, despite how often they go to the whole 'this is the biggest day in Pied Piper's History' theme. It really all comes down to the insane talent on hand in the cast. The breakout star is TJ Miller, but adding comedy vet Martin Starr, with improv great Tomas Middletich, and stand-up vet Kumail Nanjiani, and other improv-great Zach Woods, you get an incredible result. Few shows can assemble that type of roster, hand them good material, and let them improve on it. Having Pied Piper stay in a status quo has helped keep the show grounded, and you have to think that places an expiration date, but until then, we can just enjoy watching these extremely talented people have a blast making each other and us laugh.
19.) Whose Line is it Anyway
It's a show that still works better in Youtube form when you can pick and choose your favorite sketches (or just watch loops of Colin and Ryan bantering in the intros to various sketches), but the show was ahead of its time. It was when UCB and the alt. comedy/improve was just becoming mainstream in clubs, but far before the same was true on air. Still, Whose Line left us with tons of episode of laughs upon laughs. Sure, it wasn't totally improv (the cast members knew what games were being played, and the show was edited), but it was pretty much improv, and showcased a bunch of talented people. Apart from Wayne Brady, and to a point, Greg Proops, none of them have found lasting success outside the show, but my God they were gold on the show. Whose Line should have been more successful, but it was always a cult hit with tweens (I was among that group when the show was on the air), and found a lasting presence online.
18 & 17.) Veronica Mars & Buffy the Vampire Slayer
I'll admit, I've seen every episode of these shows. They're hard to really place apart from each other, as they follow similar constructs: a strong, beautiful female high-school girl who has a special talent but lives as an outcast. She befriends some other strange people, has an older male guide, and solves everyone's problems. There are major differences. Veronica Mars was far more grounded. It did a lot better actually showing the dynamics of a high-school environemnt. Buffy added fantasy to the mix, but also did better in romantic storytelling. They're both excellent shows. Buffy probably reaches higher peaks, but Buffy also lasted past its expiration date and suffered with lackluster Seasons 5 and 6. Veronica Mars, coming a good seven years after Buffy premiered, never got the chance to last that long, but that allowed it to leave before it got dated. Both the lead actresses were wonderful in their roles. Buffy had a stronger core group of supporting characters (Xander, Willow, Giles, Angel for a period, Spike for period), but Veronica Mars had a deeper stable of dependable, if not true supporting, characters. Buffy kind of perfected the 'Big Bad' style of storytelling, while Veronica Mars did as good a job of playing out a murder mystery as anything you will see on a more adult show. Two great shows, and I'm not even close to joking.
Some Really Great Shows
15.) Boardwalk Empire
Full disclosure, I've only finished watching the first two seasons and two episodes of Season 3, but I think it's time I can judge what I have seen. I'm fascinated by this world, by the show, by the deliberate pacing, the touches of the 20's. Boardwalk Empire is to me what Mad Men is to so many: a brilliant period piece showing a fascinating time in American History. It is slow, but so many of the greatest crime and mafia works of art in US history have been slow (The Godfather, Pt. 1 and 2). The show is tremendously well acted, and well paced. I would never have imagined Steve Buscemi being so good as such a tough man but it works brilliantly. It's one of the rare shows were I have really no complaints with anything they've done. It was pretty much all 'A-minus' work, and that is really hard to do so consistently. I also love how they've worked in real life event and people (Al Capone, Arnold Rothstein, the 1919 Black Sox Scandal, and so much more). The show has woven a deep, timeless tapestry of life in The Prohibition Era.
15.) Bojack Horseman
Five seasons in and Bojack Horseman is widely viewed by critics, or at the very least people who have watched the show, as the best NETFLIX original series by far. It is amazing that this show has (a) been this good, and (b) lasted this long while still being fresh. The idea of a world with humans living with anthropormorphic animals is ridiculous enough, but adding in all the overlay, the amazing show of loneliness, pains of celebrity, depression, love, and all of that placed on top of one of the funniest shows in recent memory? This is a ridiculous formula that not only works, but shows greatly. I do wonder how far this can go, but as of right now, it is amazing how fresh the show remains five years in. How well they are able to craft new, interesting, stories of the year, and how smart and sharp they are with their background jokes and sight gags. In early years, I considered Bojack to be a animated Arrested Development to some degree. At this point, it can stand easily on its own.
14.) Curb Your Enthusiasm
There is a non-trivial chance that Curb never returns. Of course this will be a sad-thing, but Larry David has generally said that he'll stop when he no longer has ideas, so it's probably better for him to stop off a solid season. Curb probably isn't as consistent as many of these shows, but few reached the heights it did. Few were able to feature such well-to-do characters and still make them grounded. Making Larry single kicked the show in the ass after some less than stellar seasons in Season 5 and 6, and returned the show to its old glory (reuniting Seinfield did that as well). It's stunning that the show is mostly improvised, as the jokes are so sharp, so witty. Also, no show has used guest stars better. Sure, Curb gets to use recurring characters playing themself, but they've made those characters almost always seem more than just stunt-casting. Curb's left a lasting impression on the comedy world for a lot of other shows to copy. Hopefully just one of them can come to close to matching it.
13.) The Colbert Report
The Colbert Report will never be better or worse than it is right now and what it was five years ago. It hasn't really ever changed apart from some segments replacing others. It's about Stephen, it is about him being incredibly talented and great in character, and challenging people to know how to enjoy satire. The writers are brilliant in being able to have genius takes on obscure news stories, but the researchers are the key. It is a lot easier to satirize a story and make the host the start when you are talking about asininely ridiculous things as they do. Anyway, The Colbert Report also found its foothold in giving us some of the most interesting interviews you can see anywhere. Colbert does use an unfair tactic about defending his position in character (see: ridiculous), but prosecuting his interviewee's position out of character (see: realist), but that just leads to some awesome, awkward, hilarious interviews. Because of Jon Stewart's summer hiatus, The Colbert Report finally won the 'best variety show' Emmy last year, and better late than never, as it definitely has deserved more than just one over its almost nine-year run.
12.) Tough Crowd with Colin Quinn
The Colbert Report essentially replaced Tough Crowd after two seasons, and thankfully they kicked Tough Crowd off the air for something worthy. A while ago I wrote that Tough Crowd would do much better today when standups are more notable in the public. I'm not so sure that is true. These were mainly the East Coast comics, the one's that burnt each other all the time, that responded with completely politically incorrect insults. It wasn't the West Coast let's-all-be-happy comedian group that kind of dominates today. Also, it featured conservatives. Big conservatives. But that's what made Tough Crowd so great. It didn't only have liberals, it didn't stick to any talking points. In fact, Colin Quinn quit the show than accept Comedy Central's directions to focus more on pop culture and less on politics and race. The show debated some interesting topics, but the real joy of watching the show was it shined a light on the famous back-room table discussions at The Comedy Cellar. It showed comedians just riffing on each other, pounding the comedian who told a bad, pandering joke, making fun of each other all the time. Sometimes the discussions went off the rails, but there was alwaays some jokes to be found. Colin Quinn cut as little as possible to show the jokes that bombed, showed the negative reactions, but also show just how much great comedians made each other laugh, and they made us laugh too.
11.) Parks and Recreation
Like many shows that lasted over four seasons, Parks and Recreation settled into a nice little groove, consistently churning out B episodes. They're still doing it too. What's nice about Parks is there has actually been character development that seemed really natural. Ron's now married. Tom's a semi-successful entrepreneur. Leslie's achieved her dream and now lost it. Beyond all this plot development laid an extremely funny show. Parks and Recreation did a far better job satirizing politics than people gave it credit for, but more notable was just how well they wrote that world. Nothing seemed more funny and eccentric than the town of Pawnee. They also were smart enough to limit the use of Ron Swanson, an unending pot of comedy Gold. Like HIMYM, Parks and Recreation is nowhere near as good of a show post Season 4, but unlike HIMYM, it is still a good show, and good enough to basically hold this ranking going forward.
10.) Fargo
Fargo's upside is huge. Another great season with a disconnected, but fully contained storyline can move it way up the list. Few shows have ever hit home runs the way Fargo has in both its first and second season... and none of those shows tried to do what Fargo did, first put on a show inspired by a beloved movie, and then change course completely, make something unconnected, and be as good if not better. Fargo has excelled at everything so far, from tone, to visual brilliance, to the acting of all the regulars in Season 1 and 2. It has also managed to maintain some of its connection to the thematic elements of the Coen Brothers, from extended parables, to mass violence, to fully off-beat characters. Fargo followed up a brillaitn first season with a brilliant period piece. The expectations are fully high now, and it will be interesting to see how Season 3 plays out. Either way, Fargo has put up the best contained storytelling since Breaking Bad.
9.) Game of Thrones
Full disclosure, I haven't ready any of the books, and apart from one spoiler I know nothing of what is coming forward. Anyway, the show rebounded from a slightly (relatively) disappointing 2nd season with a great 3rd season and a real hope for a great future of the show. There's a couple things this show does better than any I have scene: shoot the show in incredibly beautiful locations, and create lovable, hateable characters. They force people to accept the bad guy, but they make the bad guys so damn good. Game of Thrones has a large cast but they've done a great job of casting the show. There are few weak links in that cast, which matters a lot when they're given odd literary material to play with. This is one of the few film projects based off a book series that will probably be better in live-action form.
8.) Veep
With Armando Ianucci leaving, Veep is at a crossroads; and luckily if it falls down without its creator and guide, the show has put up four seasons of brillaint satirical comedy. Veep started the same year House of Cards did, and despite the critical acclaim the latter received, multiple DC insiders said Veep actually did a better job of portraying Washington. Since then, Veep has gone bigger, from Selina Meyer taking a larger role, to starting to campaign for President, to actually becoming President (and invalidating the actual name of the show), and it has gotten better at every step. Liek it's HBO mate Silicon Valley, the real brilliance lies in teh cast. Julia Louis-Dreyfus is making a good case that Elaine Benes should be 1A on her resume. The rest of the cast combines comedy veteran greats like Matt Walsh, Tony Hale, Gary Clark, and now Hugh Laurie, and uncovering some new stars, the best being XXXXX as Jonah Ryan. It will be interesting to see where Veep goes wthout Ianucci, but even if it falls slightly, it has made its mark satirizing politics at a time where politics became a more polarizing area of the mainstream conscious.
7.) It's Always Sunny in Philadelphia
I said two years ago during my Comedy Power Rankings that It's Always Sunny was the best cable sitcom of all time. I still believe that to be true, and the two seasons that have happened since then only strengthened its position. It's Always Sunny, despite becoming more and more mature, has still been able to tie itself to its amazingly raw beginnings. Always Sunny has been able to satirize everything quite brilliantly and still show itself to be the raw, fast-paced dialogue based show it was in the beginning. They incorporated Danny DeVito brilliantly. Always Sunny has proven itself to be far smarter than anyone could have imagined. Rob McElhenny, Charlie Day, and Glenn Howerton have shown themselves to be as adept as writers and show-runners as they are as actors. It may mask itself as a show about five doofuses 'running a bar' while coming up with crazy schemes of the week, but the show is showing the idiocy in everything in the world.
The Pantheon
6.) The Daily Show with Jon Stewart
In one sense, The Daily Show isn't long for this world. Hints have been dropped that Stewart is far closer to leaving than staying. There's rumors that he will replace Dave Letterman as the Late Show host whenever he decides to retire, or maybe leave to produce movies. Still, as long as he's on The Daily Show, Stewart gives it the commanding presence it deserves and has always maintained since he took over 15 years ago. The show's definitely changed to a more overt criticism of news media and not just news, but remains the standard for political comedy discourse. His stable of correspondents have gone on to have success much the same way SNL players used to, and Stewart always used them well when they were on the show. The Daily Show has somehow kept its sense of purpose and Stewart has kept his enjoyment for all 15 years, which is an amazing feat given the amount of political turmoil the country has been through since he was hired. The show likely will carry on after Stewart leaves, and likely won't be as good, but The Daily Show, under Stewart's reign, has already made its mark on American TV history.
5.) Chappelle's Show
Chappelle's Show has fewer episodes of any show in this Top-10, but it didn't need to make any more to establish itself as one of the great shows of the 2000s, and one of the lasting culturally important comedy shows ever. Obviously, the part people remember about te show is the way it challenged race perceptions in the US, but that really is missing the forest for the trees. The show really excelled at just pointing out how different Black and White America was, and mining and incredible amount of comedy from just juxtaposing those cultures. Of course, when it just decided to focus on something random, not really pointedly connected to race, the show remained incredibly funny still. The amount of famous sketches are there, but they are backed up by a host of forgotten sketches that were just as funny. Chappelle left quietly under the night sky to Africa instead of doing a Season 3, and maybe just in time, as he left 24 great episodes, hours upon hours of great, rewatchable sketches, and a lasting comedic memory that will never leave.
4.) Seinfeld
For years I never watched Seinfield, never understood its appeal. Of course, the fact that I hadn't watched it made that second fact a little obvious. Then I started watching it. I started watching all the episodes. I started understanding its appeal, understanding what made it one of the best shows ever. I finally reached the point where I kind of figured it out. Seinfield was the best traditional sitcom because it found comedy in the most un-traditional of ways. It made its comedy in dialogue, in characters, in oddities, not in situations, not in romance, not in plot. It also got together four absolutely brilliant comedic actors/minds. Jason Alexander was amazing. Michael Richards was amazing. Julia Louis-Dreyfus was (and still is) amazing. Jerry and Larry co-wrote the thing. What do you get when you combine the creator or Curb Your Enthusiasm with another brilliant comedic mind of their generation? You get Seinfield, a show immensely rewatchable, a show that stayed funny over 150 episodes, over 10 years. No show on this list apart from The Daily Show ran longer, and few were better.
3.) Breaking Bad
Breaking Bad's incredible success commercially in its final season was odd to see as someone who had watched the show far earlier. It went from being a solidly watched show for cable (about 2 million) to being the most watched thing not on a network just like that. There's no show you can point to social media and Internet 2.0 being the catalyst of its success like Breaking Bad,. Of course, it helps that it was absolutely amazing. There may never have been a character short of Tony Soprano (a show I have yet to see) that was so well constructed, let alone well acted, as Walther H. White. The rest of the show had a nice, small, but well constructed cast, but it comes down to Walter White. In its totality, it is a perfect character piece, a great look at what really drives man, greed, love or desire. The meth (the science) went from the forefront to the background as the show went on, but what replaced it was more drama, more intensity, and more incredibly acted scenes. So much of what Breaking Bad was an exercise in the science of a TV show, in the creation of great moments, like the brilliant photography, the one-on-one dialogue, the interesting locations. Breaking Bad was a perfect showcase for what the medium can be.
2.) Arrested Development
I've written a lot about Arrested Development, and deservedly so. The show was that good at times, just a perfect show that encompassed everything you could ask from a comedy program. They could wear any hat, do any type of comedy. But the real differentiating factor was the show's tone, that it found almost immediately. It was that tone, that life, that allowed the show to portray what was seemingly a believable family made up of absolute narcissistic idiots. They were able to have absurdist ideas and dialogues and ground it in a relatble way. They did something impossible: essentially be a plot driven and joke driven show at the same time. They wrapped reference upon reference in the show, hid jokes behind jokes. I still find new jokes each time I watch episodes. The show was just so well written, so amazingly cast, and so well put together. It really comes back to that tone. Put on any random episode of Arrested Development and within five minutes you get that tone, you get the feeling you are watching a show unlike any other. 30 Rock tried to be that way, but it never got as grounded (or as funny). Arrested Development was pretty damn perfect. I highly doubt I'll ever watch any comedy that is simply just that good.
1.) The Wire
I've written way too much about The Wire, especially with a certain 50 Top Characters ranking back in the February-March of 2012, but I could probably pump out 10,000 more words. Here's the best thing about The Wire: It has essentially ruined shows for me forever. Nothing will really live up to the standarad that The Wire set about how good the TV Mdium can be. Nothing will match it's character complexity, it's plot complexity, it's mix of dialogue and style. Nothing will match it. Stuff comes close. Breaking Bad came about as close as I can imagine a drama coming. I will never give up hope for a show to match The Wire, but it's pretty damn unlikely.
