30.) The Larry Sanders Show
I haven't finished the entire show, but from what I have seen, it does
'Behind-the-Scenes of Show Business' better than any show I've seen. It
isn't the absurdist show that 30 Rock is, but had a great cast of
characters, and used guest stars, which it had basically every episode,
quite well. It just wasn't always funny all the time.
29.) Shameless
Shameless is now on its 4th Season, and it is going through some large
changes making it very different from what the show used to be.
Jimmy(Steve) is no longer a character, Fiona is in a steady job (for
now), Lip is in college, and, of course, Frank can't drink, but the
lifeblood of the show remains. Shameless showed a really unique side of
America, the lower-class white community, that hadn't really been shown
before. It wasn't always shown well (almost anything involving Sheila in
Seasons 1-3 didn't work for me), but it was unendingly entertaining.
28.) Oz
Just like The Larry Sanders Show, I haven't seen all of Oz, but I've
seen enough to get a good idea of what it is all about. Oz was the first
real HBO drama to be critically acclaimed, coming a good three years
before The Sopranos and five years before The Wire. Telling the story of
an experimental unit of a prison, Oz was able to combine the
exploration of different themes and thoughts with drama and prison
intrigue. It was always informative, but a little slow at times.
27.) Parenthood
There shouldn't be a place for family dramas in the current TV
landscape, but Parenthood continues to work. Sure, they've had their
missteps over the years (let's just pretend Kristina never ran for mayor
of Berkeley), but they've also had some incredible shining moments. All
the early material with Max's asperbergers was brilliant, grounded a
show that took a while to flesh out its other characters. Like most
shows on this list, the acting was brilliant from the beginning. Every
character was well cast, even Ann-hog/Beal/Plant/Annabeal Veal herself,
Mrs. Mae Whitman. All the stuff with the Siblings Braverman has been
awesome from the beginning, including every scene when the four of them
are together. They've touched upon basically ever family conflict
(divorce, affairs, adoption, child rearing, illness, cancer, money,
moving) and done almost all of them well. The show will probably end
soon, and just in time to finish off that Bingo! of Family Drama topics
with a perfect A- average.
26.) Nathan For You
After the reality boom of the early 2000's, it was no surprise that that was folowed by the faux-reality show era - and to me no show did that better than Nathan For You. The show started with a consistently brilliant formula, with Nathan Fielder going t some small business owner in the LA area, posing as a 'business consultant' and coming up with some ridiculous, yet somehow brilliant, scheme to make the business grown. That show was very good, yet Fielder turned the show into something bigger, deeper, and better, by starting to grow beyond that set-up and investigate himself. The 3rd season wa the best yet, peeling the onion back on Fielder himself and his loneliness and isolation. The show got a, most likely final, 4th season, and a good finish could really move it up the list.
25.) Archer
I've backlogged Archer Vice right now, but through four seasons, Archer
has become one of my favorite wasting-time shows that I put on in the
background. I can't get enough of the fast-paced dialogue, the
ridiculousness of Sterling, the brilliance of what is essentially
Lucille Bluth, and everything else that makes Archer so damn funny. My
only quibble is I'm not always a fan of the HR people back at the office
like Pam and Cheryl.
24.) Everybody Loves Raymond
The best traditional sitcom I have seen still gets high praise for me.
Everybody Loves Raymond was more like a series of little plays, using a
few characters and even fewer sets. Everyone's role was well-defined and
consistent. There was little character growth but there never needed to
be. Instead of put the family in funny situations, they made the family
respond to normal situations in the funniest of ways. A consistently
good traditional family sitcom should not work in this environment, but
Raymond not only worked, but got better as it went on.
Some Really Very Good, Underrated Shows (Plus one early-2000's love affair)
23.) Bojack Horseman
After two seasons, Bojack Horseman has quickly become my favorite animated comedy yet. Archer may be more rewatchable, but no show is better, no show is more impressive at mining emotional and dramatic material despite being an animated show. Centered around an anthropomorphic horse in an anthropomorphic world who was an ex-star of a TV show, Bojack brilliantly satirizes Hollywood while also examining deeply the emotions and realities of success, happiness and content. The second season went deeper into the world outside of just Bojack and with that created an even more vivid tapestry. It will be interesting to see how far they can go with mixing such random irreverance and real emotions.
22.) Men of a Certain Age
Just like the show at #19, Men of a Certain Age lasted just two seasons
on the air, before it could make a real lasting impact and totally
figure itself out. But whatever it did, it worked incredibly well. Ray
Romano was always underrated in his acting on ELR, but he proved just
how good an actor he was on this show. Of course, it was hard him to
even stand out next to Scott Bakula and Andre Braugher, all getting good
material and playing the hell out of it. This show probably had the
lightest stakes of any drama, but those light stakes just made it
realistic, really, incredibly, realistic. Romano gave each of the main
three characters some interesting beats to play, but the overarching
tone was to get over disappointment and enjoy whatever you can about
that 'Certain Age'. What I really loved about the show was the small set
of recurring characters it had, but how well placed they all were
inside that shows ecosystem. A great blend of overarching darkness and
small moments of joy.
21.) Happy Endings
Man, if only Happy Endings was on NBC, it would have been easily
entering its 4th season right now. I've never seen a show start out
aimless but find itself so quickly and so effectively. The show started
out as a romantic comedy of a group of six friends reacting to one of
them leaving another at the alter. That version ended in about 4
episodes. After that, it became a brilliant, pop-culture, caustic
joke-machine. I've never seen a show mine so much comedy out of friends
being mean to each other. They also quickly defined each character into
solid, separate roles that all worked. It's extremely rewatchable, as
you pick up little nuances in the performances that make it so damn
joyful. It would be higher if it lasted more seasons, and if the first
eighth of the show didn't suck. In retrospect, it would have been
amazing to see how long they could have kept the pace up,. Even at times
in third season it slowed down, but just for an episode or two. After
that, they would return to being the most rapid-fire joke show in the
last 10 years.
20.) Party Down
It's odd to hold a show back for only lasting three seasons only to
extol the virtues of a show that lasted just two, but Party Down was
really, really good. It's a pretty novel idea created initially by Paul
Rudd, and then by his friends Rob Thomas (not the singer) and Dan
Etheridge. They, combined with one of the most talented casts you will
see, created a really good show that did not ever have a bad episode.
They took eight people that were extremely talented, gave them good
material, and let the talent do what talent will do. What killed the
show, ironically, was that incredible cast, as they couldn't hold such
talent forever on a show on Starz that no one watched live. First, it
was Jane Lynch getting called for Glee, but what ended the show
effectively was losing Adam Scott to Parks and Recreation. They did
leave behind 20 episodes of pure gold, detailing the lives of
cater-waiters just trying to have fun in whatever ridiculous situation
their job puts them in.
19.) Whose Line is it Anyway
It's a show that still works better in Youtube form when you can pick
and choose your favorite sketches (or just watch loops of Colin and Ryan
bantering in the intros to various sketches), but the show was ahead of
its time. It was when UCB and the alt. comedy/improve was just becoming
mainstream in clubs, but far before the same was true on air. Still,
Whose Line left us with tons of episode of laughs upon laughs. Sure, it
wasn't totally improv (the cast members knew what games were being
played, and the show was edited), but it was pretty much improv, and
showcased a bunch of talented people. Apart from Wayne Brady, and to a
point, Greg Proops, none of them have found lasting success outside the
show, but my God they were gold on the show. Whose Line should have been
more successful, but it was always a cult hit with tweens (I was among
that group when the show was on the air), and found a lasting presence
online.
18.) Silicon Valley
Three seasons in, and Silicon Valley continues to be a laugh riot, despite how often they go to the whole 'this is the biggest day in Pied Piper's History' theme. It really all comes down to the insane talent on hand in the cast. The breakout star is TJ Miller, but adding comedy vet Martin Starr, with improv great Tomas Middletich, and stand-up vet Kumail Nanjiani, and other improv-great Zach Woods, you get an incredible result. Few shows can assemble that type of roster, hand them good material, and let them improve on it. Having Pied Piper stay in a status quo has helped keep the show grounded, and you have to think that places an expiration date, but until then, we can just enjoy watching these extremely talented people have a blast making each other and us laugh.
17 & 16.) Veronica Mars & Buffy the Vampire Slayer
I'll admit, I've seen every episode of these shows. They're hard to
really place apart from each other, as they follow similar constructs: a
strong, beautiful female high-school girl who has a special talent but
lives as an outcast. She befriends some other strange people, has an
older male guide, and solves everyone's problems. There are major
differences. Veronica Mars was far more grounded. It did a lot better
actually showing the dynamics of a high-school environemnt. Buffy added
fantasy to the mix, but also did better in romantic storytelling.
They're both excellent shows. Buffy probably reaches higher peaks, but
Buffy also lasted past its expiration date and suffered with lackluster
Seasons 5 and 6. Veronica Mars, coming a good seven years after Buffy
premiered, never got the chance to last that long, but that allowed it
to leave before it got dated. Both the lead actresses were wonderful in
their roles. Buffy had a stronger core group of supporting characters
(Xander, Willow, Giles, Angel for a period, Spike for period), but
Veronica Mars had a deeper stable of dependable, if not true supporting,
characters. Buffy kind of perfected the 'Big Bad' style of
storytelling, while Veronica Mars did as good a job of playing out a
murder mystery as anything you will see on a more adult show. Two great
shows, and I'm not even close to joking.
Some Really Great Shows
15.) Parks and Recreation
Like many shows that lasted over four seasons, Parks and Recreation
settled into a nice little groove, consistently churning out B episodes.
They're still doing it too. What's nice about Parks is there has
actually been character development that seemed really natural. Ron's
now married. Tom's a semi-successful entrepreneur. Leslie's achieved her
dream and now lost it. Beyond all this plot development laid an
extremely funny show. Parks and Recreation did a far better job
satirizing politics than people gave it credit for, but more notable was
just how well they wrote that world. Nothing seemed more funny and
eccentric than the town of Pawnee. They also were smart enough to limit
the use of Ron Swanson, an unending pot of comedy Gold. Like HIMYM,
Parks and Recreation is nowhere near as good of a show post Season 4,
but unlike HIMYM, it is still a good show, and good enough to basically
hold this ranking going forward.
14.) Curb Your Enthusiasm
There is a non-trivial chance that Curb never returns. Of course this
will be a sad-thing, but Larry David has generally said that he'll stop
when he no longer has ideas, so it's probably better for him to stop off
a solid season. Curb probably isn't as consistent as many of these
shows, but few reached the heights it did. Few were able to feature such
well-to-do characters and still make them grounded. Making Larry single
kicked the show in the ass after some less than stellar seasons in
Season 5 and 6, and returned the show to its old glory (reuniting
Seinfield did that as well). It's stunning that the show is mostly
improvised, as the jokes are so sharp, so witty. Also, no show has used
guest stars better. Sure, Curb gets to use recurring characters playing
themself, but they've made those characters almost always seem more than
just stunt-casting. Curb's left a lasting impression on the comedy
world for a lot of other shows to copy. Hopefully just one of them can
come to close to matching it.
13.) Game of Thrones
Full disclosure, I haven't ready any of the books, and apart from one
spoiler I know nothing of what is coming forward. Anyway, the show
rebounded from a slightly (relatively) disappointing 2nd season with a
great 3rd season and a real hope for a great future of the show. There's
a couple things this show does better than any I have scene: shoot the
show in incredibly beautiful locations, and create lovable, hateable
characters. They force people to accept the bad guy, but they make the
bad guys so damn good. Game of Thrones has a large cast but they've done
a great job of casting the show. There are few weak links in that cast,
which matters a lot when they're given odd literary material to play
with. This is one of the few film projects based off a book series that
will probably be better in live-action form.
12.) The Colbert Report
The Colbert Report will never be better or worse than it is right now
and what it was five years ago. It hasn't really ever changed apart from
some segments replacing others. It's about Stephen, it is about him
being incredibly talented and great in character, and challenging people
to know how to enjoy satire. The writers are brilliant in being able to
have genius takes on obscure news stories, but the researchers are the
key. It is a lot easier to satirize a story and make the host the start
when you are talking about asininely ridiculous things as they do.
Anyway, The Colbert Report also found its foothold in giving us some of
the most interesting interviews you can see anywhere. Colbert does use
an unfair tactic about defending his position in character (see:
ridiculous), but prosecuting his interviewee's position out of character
(see: realist), but that just leads to some awesome, awkward, hilarious
interviews. Because of Jon Stewart's summer hiatus, The Colbert Report
finally won the 'best variety show' Emmy last year, and better late than
never, as it definitely has deserved more than just one over its almost
nine-year run.
11.) Tough Crowd with Colin Quinn
The Colbert Report essentially replaced Tough Crowd after two seasons,
and thankfully they kicked Tough Crowd off the air for something worthy.
A while ago I wrote that Tough Crowd would do much better today when
standups are more notable in the public. I'm not so sure that is true.
These were mainly the East Coast comics, the one's that burnt each other
all the time, that responded with completely politically incorrect
insults. It wasn't the West Coast let's-all-be-happy comedian group that
kind of dominates today. Also, it featured conservatives. Big
conservatives. But that's what made Tough Crowd so great. It didn't only
have liberals, it didn't stick to any talking points. In fact, Colin
Quinn quit the show than accept Comedy Central's directions to focus
more on pop culture and less on politics and race. The show debated some
interesting topics, but the real joy of watching the show was it shined
a light on the famous back-room table discussions at The Comedy Cellar.
It showed comedians just riffing on each other, pounding the comedian
who told a bad, pandering joke, making fun of each other all the time.
Sometimes the discussions went off the rails, but there was alwaays some
jokes to be found. Colin Quinn cut as little as possible to show the
jokes that bombed, showed the negative reactions, but also show just how
much great comedians made each other laugh, and they made us laugh too.
10.) Fargo
Fargo's upside is huge. Another great season with a disconnected, but fully contained storyline can move it way up the list. Few shows have ever hit home runs the way Fargo has in both its first and second season... and none of those shows tried to do what Fargo did, first put on a show inspired by a beloved movie, and then change course completely, make something unconnected, and be as good if not better. Fargo has excelled at everything so far, from tone, to visual brilliance, to the acting of all the regulars in Season 1 and 2. It has also managed to maintain some of its connection to the thematic elements of the Coen Brothers, from extended parables, to mass violence, to fully off-beat characters. Fargo followed up a brillaitn first season with a brilliant period piece. The expectations are fully high now, and it will be interesting to see how Season 3 plays out. Either way, Fargo has put up the best contained storytelling since Breaking Bad.
9.) Boardwalk Empire
Full disclosure, I've only finished watching the first two seasons and
two episodes of Season 3, but I think it's time I can judge what I have
seen. I'm fascinated by this world, by the show, by the deliberate
pacing, the touches of the 20's. Boardwalk Empire is to me what Mad Men
is to so many: a brilliant period piece showing a fascinating time in
American History. It is slow, but so many of the greatest crime and
mafia works of art in US history have been slow (The Godfather, Pt. 1
and 2). The show is tremendously well acted, and well paced. I would
never have imagined Steve Buscemi being so good as such a tough man but
it works brilliantly. It's one of the rare shows were I have really no
complaints with anything they've done. It was pretty much all 'A-minus'
work, and that is really hard to do so consistently. I also love how
they've worked in real life event and people (Al Capone, Arnold
Rothstein, the 1919 Black Sox Scandal, and so much more). The show has
woven a deep, timeless tapestry of life in The Prohibition Era.
8.) Veep
With Armando Ianucci leaving, Veep is at a crossroads; and luckily if it falls down without its creator and guide, the show has put up four seasons of brillaint satirical comedy. Veep started the same year House of Cards did, and despite the critical acclaim the latter received, multiple DC insiders said Veep actually did a better job of portraying Washington. Since then, Veep has gone bigger, from Selina Meyer taking a larger role, to starting to campaign for President, to actually becoming President (and invalidating the actual name of the show), and it has gotten better at every step. Liek it's HBO mate Silicon Valley, the real brilliance lies in teh cast. Julia Louis-Dreyfus is making a good case that Elaine Benes should be 1A on her resume. The rest of the cast combines comedy veteran greats like Matt Walsh, Tony Hale, Gary Clark, and now Hugh Laurie, and uncovering some new stars, the best being XXXXX as Jonah Ryan. It will be interesting to see where Veep goes wthout Ianucci, but even if it falls slightly, it has made its mark satirizing politics at a time where politics became a more polarizing area of the mainstream conscious.
7.) It's Always Sunny in Philadelphia
I said two years ago during my Comedy Power Rankings that It's Always
Sunny was the best cable sitcom of all time. I still believe that to be
true, and the two seasons that have happened since then only
strengthened its position. It's Always Sunny, despite becoming more and
more mature, has still been able to tie itself to its amazingly raw
beginnings. Always Sunny has been able to satirize everything quite
brilliantly and still show itself to be the raw, fast-paced dialogue
based show it was in the beginning. They incorporated Danny DeVito
brilliantly. Always Sunny has proven itself to be far smarter than
anyone could have imagined. Rob McElhenny, Charlie Day, and Glenn
Howerton have shown themselves to be as adept as writers and
show-runners as they are as actors. It may mask itself as a show about
five doofuses 'running a bar' while coming up with crazy schemes of the
week, but the show is showing the idiocy in everything in the world.
The Pantheon
6.) The Daily Show with Jon Stewart
In one sense, The Daily Show isn't long for this world. Hints have been
dropped that Stewart is far closer to leaving than staying. There's
rumors that he will replace Dave Letterman as the Late Show host
whenever he decides to retire, or maybe leave to produce movies. Still,
as long as he's on The Daily Show, Stewart gives it the commanding
presence it deserves and has always maintained since he took over 15
years ago. The show's definitely changed to a more overt criticism of
news media and not just news, but remains the standard for political
comedy discourse. His stable of correspondents have gone on to have
success much the same way SNL players used to, and Stewart always used
them well when they were on the show. The Daily Show has somehow kept
its sense of purpose and Stewart has kept his enjoyment for all 15
years, which is an amazing feat given the amount of political turmoil
the country has been through since he was hired. The show likely will
carry on after Stewart leaves, and likely won't be as good, but The
Daily Show, under Stewart's reign, has already made its mark on American
TV history.
5.) Chappelle's Show
Chappelle's Show has fewer episodes of any show in this Top-10, but it
didn't need to make any more to establish itself as one of the great
shows of the 2000s, and one of the lasting culturally important comedy
shows ever. Obviously, the part people remember about te show is the way
it challenged race perceptions in the US, but that really is missing
the forest for the trees. The show really excelled at just pointing out
how different Black and White America was, and mining and incredible
amount of comedy from just juxtaposing those cultures. Of course, when
it just decided to focus on something random, not really pointedly
connected to race, the show remained incredibly funny still. The amount
of famous sketches are there, but they are backed up by a host of
forgotten sketches that were just as funny. Chappelle left quietly under
the night sky to Africa instead of doing a Season 3, and maybe just in
time, as he left 24 great episodes, hours upon hours of great,
rewatchable sketches, and a lasting comedic memory that will never
leave.
4.) Seinfeld
For years I never watched Seinfield, never understood its appeal. Of
course, the fact that I hadn't watched it made that second fact a little
obvious. Then I started watching it. I started watching all the
episodes. I started understanding its appeal, understanding what made it
one of the best shows ever. I finally reached the point where I kind of
figured it out. Seinfield was the best traditional sitcom because it
found comedy in the most un-traditional of ways. It made its comedy in
dialogue, in characters, in oddities, not in situations, not in romance,
not in plot. It also got together four absolutely brilliant comedic
actors/minds. Jason Alexander was amazing. Michael Richards was amazing.
Julia Louis-Dreyfus was (and still is) amazing. Jerry and Larry
co-wrote the thing. What do you get when you combine the creator or Curb
Your Enthusiasm with another brilliant comedic mind of their
generation? You get Seinfield, a show immensely rewatchable, a show that
stayed funny over 150 episodes, over 10 years. No show on this list
apart from The Daily Show ran longer, and few were better.
3.) Breaking Bad
Breaking Bad's incredible success commercially in its final season was
odd to see as someone who had watched the show far earlier. It went from
being a solidly watched show for cable (about 2 million) to being the
most watched thing not on a network just like that. There's no show you
can point to social media and Internet 2.0 being the catalyst of its
success like Breaking Bad,. Of course, it helps that it was absolutely
amazing. There may never have been a character short of Tony Soprano (a
show I have yet to see) that was so well constructed, let alone well
acted, as Walther H. White. The rest of the show had a nice, small, but
well constructed cast, but it comes down to Walter White. In its
totality, it is a perfect character piece, a great look at what really
drives man, greed, love or desire. The meth (the science) went from the
forefront to the background as the show went on, but what replaced it
was more drama, more intensity, and more incredibly acted scenes. So
much of what Breaking Bad was an exercise in the science of a TV show,
in the creation of great moments, like the brilliant photography, the
one-on-one dialogue, the interesting locations. Breaking Bad was a
perfect showcase for what the medium can be.
2.) Arrested Development
I've written a lot about Arrested Development, and deservedly so. The
show was that good at times, just a perfect show that encompassed
everything you could ask from a comedy program. They could wear any hat,
do any type of comedy. But the real differentiating factor was the
show's tone, that it found almost immediately. It was that tone, that
life, that allowed the show to portray what was seemingly a believable
family made up of absolute narcissistic idiots. They were able to have
absurdist ideas and dialogues and ground it in a relatble way. They did
something impossible: essentially be a plot driven and joke driven show
at the same time. They wrapped reference upon reference in the show, hid
jokes behind jokes. I still find new jokes each time I watch episodes.
The show was just so well written, so amazingly cast, and so well put
together. It really comes back to that tone. Put on any random episode
of Arrested Development and within five minutes you get that tone, you
get the feeling you are watching a show unlike any other. 30 Rock tried
to be that way, but it never got as grounded (or as funny). Arrested
Development was pretty damn perfect. I highly doubt I'll ever watch any
comedy that is simply just that good.
1.) The Wire
I've written way too much about The Wire, especially with a certain 50
Top Characters ranking back in the February-March of 2012, but I could
probably pump out 10,000 more words. Here's the best thing about The
Wire: It has essentially ruined shows for me forever. Nothing will
really live up to the standarad that The Wire set about how good the TV
Mdium can be. Nothing will match it's character complexity, it's plot
complexity, it's mix of dialogue and style. Nothing will match it. Stuff
comes close. Breaking Bad came about as close as I can imagine a drama
coming. I will never give up hope for a show to match The Wire, but it's
pretty damn unlikely.
