So, I'm fully entrenched in True Detective right now. Not to the level of people who are dissecting screenshots to see connections to 'The King In Yellow'. I wish I was at that level. This could end up being the best show I've ever watched live from the beginning (Breaking Bad I started live in Season 3), and I wish I could be more involved in the actual discourse. Anyway, True Detective has started so well, so incredilbly, it got me thinking where it plays in my Favorite shows of All Time (that I've watched). My final opinion: It's damn good, but too early to judge. Especially since this show will be done in Anthology style, so Matthew McCaughnahey (which I almost assuredly spelled wrong) and Woody Harrelson are out after the first season. Who knows if the leads of next season can be as good. I'm reserving judgement until then.
Anyway, here's another few shows that I'm holding out judging for at least another year or two:
25.) The Larry Sanders Show
I haven't finished the entire show, but from what I have seen, it does 'Behind-the-Scenes of Show Business' better than any show I've seen. It isn't the absurdist show that 30 Rock is, but had a great cast of characters, and used guest stars, which it had basically every episode, quite well. It just wasn't always funny all the time.
24.) Shameless
Shameless is now on its 4th Season, and it is going through some large changes making it very different from what the show used to be. Jimmy(Steve) is no longer a character, Fiona is in a steady job (for now), Lip is in college, and, of course, Frank can't drink, but the lifeblood of the show remains. Shameless showed a really unique side of America, the lower-class white community, that hadn't really been shown before. It wasn't always shown well (almost anything involving Sheila in Seasons 1-3 didn't work for me), but it was unendingly entertaining.
23.) Oz
Just like The Larry Sanders Show, I haven't seen all of Oz, but I've seen enough to get a good idea of what it is all about. Oz was the first real HBO drama to be critically acclaimed, coming a good three years before The Sopranos and five years before The Wire. Telling the story of an experimental unit of a prison, Oz was able to combine the exploration of different themes and thoughts with drama and prison intrigue. It was always informative, but a little slow at times.
22.) Archer
I've backlogged Archer Vice right now, but through four seasons, Archer has become one of my favorite wasting-time shows that I put on in the background. I can't get enough of the fast-paced dialogue, the ridiculousness of Sterling, the brilliance of what is essentially Lucille Bluth, and everything else that makes Archer so damn funny. My only quibble is I'm not always a fan of the HR people back at the office like Pam and Cheryl.
21.) Everybody Loves Raymond
The best traditional sitcom I have seen still gets high praise for me. Everybody Loves Raymond was more like a series of little plays, using a few characters and even fewer sets. Everyone's role was well-defined and consistent. There was little character growth but there never needed to be. Instead of put the family in funny situations, they made the family respond to normal situations in the funniest of ways. A consistently good traditional family sitcom should not work in this environment, but Raymond not only worked, but got better as it went on.
Some Really Very Good, Underrated Shows (Plus one early-2000's love affair)
20.) Happy Endings
Man, if only Happy Endings was on NBC, it would have been easily entering its 4th season right now. I've never seen a show start out aimless but find itself so quickly and so effectively. The show started out as a romantic comedy of a group of six friends reacting to one of them leaving another at the alter. That version ended in about 4 episodes. After that, it became a brilliant, pop-culture, caustic joke-machine. I've never seen a show mine so much comedy out of friends being mean to each other. They also quickly defined each character into solid, separate roles that all worked. It's extremely rewatchable, as you pick up little nuances in the performances that make it so damn joyful. It would be higher if it lasted more seasons, and if the first eighth of the show didn't suck. In retrospect, it would have been amazing to see how long they could have kept the pace up,. Even at times in third season it slowed down, but just for an episode or two. After that, they would return to being the most rapid-fire joke show in the last 10 years.
19.) Party Down
It's odd to hold a show back for only lasting three seasons only to extol the virtues of a show that lasted just two, but Party Down was really, really good. It's a pretty novel idea created initially by Paul Rudd, and then by his friends Rob Thomas (not the singer) and Dan Etheridge. They, combined with one of the most talented casts you will see, created a really good show that did not ever have a bad episode. They took eight people that were extremely talented, gave them good material, and let the talent do what talent will do. What killed the show, ironically, was that incredible cast, as they couldn't hold such talent forever on a show on Starz that no one watched live. First, it was Jane Lynch getting called for Glee, but what ended the show effectively was losing Adam Scott to Parks and Recreation. They did leave behind 20 episodes of pure gold, detailing the lives of cater-waiters just trying to have fun in whatever ridiculous situation their job puts them in.
18.) Whose Line is it Anyway
It's a show that still works better in Youtube form when you can pick and choose your favorite sketches (or just watch loops of Colin and Ryan bantering in the intros to various sketches), but the show was ahead of its time. It was when UCB and the alt. comedy/improve was just becoming mainstream in clubs, but far before the same was true on air. Still, Whose Line left us with tons of episode of laughs upon laughs. Sure, it wasn't totally improv (the cast members knew what games were being played, and the show was edited), but it was pretty much improv, and showcased a bunch of talented people. Apart from Wayne Brady, and to a point, Greg Proops, none of them have found lasting success outside the show, but my God they were gold on the show. Whose Line should have been more successful, but it was always a cult hit with tweens (I was among that group when the show was on the air), and found a lasting presence online.
17.) Parenthood
There shouldn't be a place for family dramas in the current TV landscape, but Parenthood continues to work. Sure, they've had their missteps over the years (let's just pretend Kristina never ran for mayor of Berkeley), but they've also had some incredible shining moments. All the early material with Max's asperbergers was brilliant, grounded a show that took a while to flesh out its other characters. Like most shows on this list, the acting was brilliant from the beginning. Every character was well cast, even Ann-hog/Beal/Plant/Annabeal Veal herself, Mrs. Mae Whitman. All the stuff with the Siblings Braverman has been awesome from the beginning, including every scene when the four of them are together. They've touched upon basically ever family conflict (divorce, affairs, adoption, child rearing, illness, cancer, money, moving) and done almost all of them well. The show will probably end soon, and just in time to finish off that Bingo! of Family Drama topics with a perfect A- average.
16.) Men of a Certain Age
Just like the show at #19, Men of a Certain Age lasted just two seasons on the air, before it could make a real lasting impact and totally figure itself out. But whatever it did, it worked incredibly well. Ray Romano was always underrated in his acting on ELR, but he proved just how good an actor he was on this show. Of course, it was hard him to even stand out next to Scott Bakula and Andre Braugher, all getting good material and playing the hell out of it. This show probably had the lightest stakes of any drama, but those light stakes just made it realistic, really, incredibly, realistic. Romano gave each of the main three characters some interesting beats to play, but the overarching tone was to get over disappointment and enjoy whatever you can about that 'Certain Age'. What I really loved about the show was the small set of recurring characters it had, but how well placed they all were inside that shows ecosystem. A great blend of overarching darkness and small moments of joy.
15&14.) Veronica Mars & Buffy the Vampire Slayer
I'll admit, I've seen every episode of these shows. They're hard to really place apart from each other, as they follow similar constructs: a strong, beautiful female high-school girl who has a special talent but lives as an outcast. She befriends some other strange people, has an older male guide, and solves everyone's problems. There are major differences. Veronica Mars was far more grounded. It did a lot better actually showing the dynamics of a high-school environemnt. Buffy added fantasy to the mix, but also did better in romantic storytelling. They're both excellent shows. Buffy probably reaches higher peaks, but Buffy also lasted past its expiration date and suffered with lackluster Seasons 5 and 6. Veronica Mars, coming a good seven years after Buffy premiered, never got the chance to last that long, but that allowed it to leave before it got dated. Both the lead actresses were wonderful in their roles. Buffy had a stronger core group of supporting characters (Xander, Willow, Giles, Angel for a period, Spike for period), but Veronica Mars had a deeper stable of dependable, if not true supporting, characters. Buffy kind of perfected the 'Big Bad' style of storytelling, while Veronica Mars did as good a job of playing out a murder mystery as anything you will see on a more adult show. Two great shows, and I'm not even close to joking.
Some Really Great Shows
13.) Parks and Recreation
Like many shows that lasted over four seasons, Parks and Recreation settled into a nice little groove, consistently churning out B episodes. They're still doing it too. What's nice about Parks is there has actually been character development that seemed really natural. Ron's now married. Tom's a semi-successful entrepreneur. Leslie's achieved her dream and now lost it. Beyond all this plot development laid an extremely funny show. Parks and Recreation did a far better job satirizing politics than people gave it credit for, but more notable was just how well they wrote that world. Nothing seemed more funny and eccentric than the town of Pawnee. They also were smart enough to limit the use of Ron Swanson, an unending pot of comedy Gold. Like HIMYM, Parks and Recreation is nowhere near as good of a show post Season 4, but unlike HIMYM, it is still a good show, and good enough to basically hold this ranking going forward.
12.) Curb Your Enthusiasm
There is a non-trivial chance that Curb never returns. Of course this will be a sad-thing, but Larry David has generally said that he'll stop when he no longer has ideas, so it's probably better for him to stop off a solid season. Curb probably isn't as consistent as many of these shows, but few reached the heights it did. Few were able to feature such well-to-do characters and still make them grounded. Making Larry single kicked the show in the ass after some less than stellar seasons in Season 5 and 6, and returned the show to its old glory (reuniting Seinfield did that as well). It's stunning that the show is mostly improvised, as the jokes are so sharp, so witty. Also, no show has used guest stars better. Sure, Curb gets to use recurring characters playing themself, but they've made those characters almost always seem more than just stunt-casting. Curb's left a lasting impression on the comedy world for a lot of other shows to copy. Hopefully just one of them can come to close to matching it.
11.) Game of Thrones
Full disclosure, I haven't ready any of the books, and apart from one spoiler I know nothing of what is coming forward. Anyway, the show rebounded from a slightly (relatively) disappointing 2nd season with a great 3rd season and a real hope for a great future of the show. There's a couple things this show does better than any I have scene: shoot the show in incredibly beautiful locations, and create lovable, hateable characters. They force people to accept the bad guy, but they make the bad guys so damn good. Game of Thrones has a large cast but they've done a great job of casting the show. There are few weak links in that cast, which matters a lot when they're given odd literary material to play with. This is one of the few film projects based off a book series that will probably be better in live-action form.
10.) The Colbert Report
The Colbert Report will never be better or worse than it is right now and what it was five years ago. It hasn't really ever changed apart from some segments replacing others. It's about Stephen, it is about him being incredibly talented and great in character, and challenging people to know how to enjoy satire. The writers are brilliant in being able to have genius takes on obscure news stories, but the researchers are the key. It is a lot easier to satirize a story and make the host the start when you are talking about asininely ridiculous things as they do. Anyway, The Colbert Report also found its foothold in giving us some of the most interesting interviews you can see anywhere. Colbert does use an unfair tactic about defending his position in character (see: ridiculous), but prosecuting his interviewee's position out of character (see: realist), but that just leads to some awesome, awkward, hilarious interviews. Because of Jon Stewart's summer hiatus, The Colbert Report finally won the 'best variety show' Emmy last year, and better late than never, as it definitely has deserved more than just one over its almost nine-year run.
9.) Tough Crowd with Colin Quinn
The Colbert Report essentially replaced Tough Crowd after two seasons, and thankfully they kicked Tough Crowd off the air for something worthy. A while ago I wrote that Tough Crowd would do much better today when standups are more notable in the public. I'm not so sure that is true. These were mainly the East Coast comics, the one's that burnt each other all the time, that responded with completely politically incorrect insults. It wasn't the West Coast let's-all-be-happy comedian group that kind of dominates today. Also, it featured conservatives. Big conservatives. But that's what made Tough Crowd so great. It didn't only have liberals, it didn't stick to any talking points. In fact, Colin Quinn quit the show than accept Comedy Central's directions to focus more on pop culture and less on politics and race. The show debated some interesting topics, but the real joy of watching the show was it shined a light on the famous back-room table discussions at The Comedy Cellar. It showed comedians just riffing on each other, pounding the comedian who told a bad, pandering joke, making fun of each other all the time. Sometimes the discussions went off the rails, but there was alwaays some jokes to be found. Colin Quinn cut as little as possible to show the jokes that bombed, showed the negative reactions, but also show just how much great comedians made each other laugh, and they made us laugh too.
8.) It's Always Sunny in Philadelphia
I said two years ago during my Comedy Power Rankings that It's Always Sunny was the best cable sitcom of all time. I still believe that to be true, and the two seasons that have happened since then only strengthened its position. It's Always Sunny, despite becoming more and more mature, has still been able to tie itself to its amazingly raw beginnings. Always Sunny has been able to satirize everything quite brilliantly and still show itself to be the raw, fast-paced dialogue based show it was in the beginning. They incorporated Danny DeVito brilliantly. Always Sunny has proven itself to be far smarter than anyone could have imagined. Rob McElhenny, Charlie Day, and Glenn Howerton have shown themselves to be as adept as writers and show-runners as they are as actors. It may mask itself as a show about five doofuses 'running a bar' while coming up with crazy schemes of the week, but the show is showing the idiocy in everything in the world.
7.) Boardwalk Empire
Full disclosure, I've only finished watching the first two seasons and two episodes of Season 3, but I think it's time I can judge what I have seen. I'm fascinated by this world, by the show, by the deliberate pacing, the touches of the 20's. Boardwalk Empire is to me what Mad Men is to so many: a brilliant period piece showing a fascinating time in American History. It is slow, but so many of the greatest crime and mafia works of art in US history have been slow (The Godfather, Pt. 1 and 2). The show is tremendously well acted, and well paced. I would never have imagined Steve Buscemi being so good as such a tough man but it works brilliantly. It's one of the rare shows were I have really no complaints with anything they've done. It was pretty much all 'A-minus' work, and that is really hard to do so consistently. I also love how they've worked in real life event and people (Al Capone, Arnold Rothstein, the 1919 Black Sox Scandal, and so much more). The show has woven a deep, timeless tapestry of life in The Prohibition Era.
The Pantheon
6.) The Daily Show with Jon Stewart
In one sense, The Daily Show isn't long for this world. Hints have been dropped that Stewart is far closer to leaving than staying. There's rumors that he will replace Dave Letterman as the Late Show host whenever he decides to retire, or maybe leave to produce movies. Still, as long as he's on The Daily Show, Stewart gives it the commanding presence it deserves and has always maintained since he took over 15 years ago. The show's definitely changed to a more overt criticism of news media and not just news, but remains the standard for political comedy discourse. His stable of correspondents have gone on to have success much the same way SNL players used to, and Stewart always used them well when they were on the show. The Daily Show has somehow kept its sense of purpose and Stewart has kept his enjoyment for all 15 years, which is an amazing feat given the amount of political turmoil the country has been through since he was hired. The show likely will carry on after Stewart leaves, and likely won't be as good, but The Daily Show, under Stewart's reign, has already made its mark on American TV history.
5.) Chappelle's Show
Chappelle's Show has fewer episodes of any show in this Top-10, but it didn't need to make any more to establish itself as one of the great shows of the 2000s, and one of the lasting culturally important comedy shows ever. Obviously, the part people remember about te show is the way it challenged race perceptions in the US, but that really is missing the forest for the trees. The show really excelled at just pointing out how different Black and White America was, and mining and incredible amount of comedy from just juxtaposing those cultures. Of course, when it just decided to focus on something random, not really pointedly connected to race, the show remained incredibly funny still. The amount of famous sketches are there, but they are backed up by a host of forgotten sketches that were just as funny. Chappelle left quietly under the night sky to Africa instead of doing a Season 3, and maybe just in time, as he left 24 great episodes, hours upon hours of great, rewatchable sketches, and a lasting comedic memory that will never leave.
4.) Seinfeld
For years I never watched Seinfield, never understood its appeal. Of course, the fact that I hadn't watched it made that second fact a little obvious. Then I started watching it. I started watching all the episodes. I started understanding its appeal, understanding what made it one of the best shows ever. I finally reached the point where I kind of figured it out. Seinfield was the best traditional sitcom because it found comedy in the most un-traditional of ways. It made its comedy in dialogue, in characters, in oddities, not in situations, not in romance, not in plot. It also got together four absolutely brilliant comedic actors/minds. Jason Alexander was amazing. Michael Richards was amazing. Julia Louis-Dreyfus was (and still is) amazing. Jerry and Larry co-wrote the thing. What do you get when you combine the creator or Curb Your Enthusiasm with another brilliant comedic mind of their generation? You get Seinfield, a show immensely rewatchable, a show that stayed funny over 150 episodes, over 10 years. No show on this list apart from The Daily Show ran longer, and few were better.
3.) Breaking Bad
Breaking Bad's incredible success commercially in its final season was odd to see as someone who had watched the show far earlier. It went from being a solidly watched show for cable (about 2 million) to being the most watched thing not on a network just like that. There's no show you can point to social media and Internet 2.0 being the catalyst of its success like Breaking Bad,. Of course, it helps that it was absolutely amazing. There may never have been a character short of Tony Soprano (a show I have yet to see) that was so well constructed, let alone well acted, as Walther H. White. The rest of the show had a nice, small, but well constructed cast, but it comes down to Walter White. In its totality, it is a perfect character piece, a great look at what really drives man, greed, love or desire. The meth (the science) went from the forefront to the background as the show went on, but what replaced it was more drama, more intensity, and more incredibly acted scenes. So much of what Breaking Bad was an exercise in the science of a TV show, in the creation of great moments, like the brilliant photography, the one-on-one dialogue, the interesting locations. Breaking Bad was a perfect showcase for what the medium can be.
2.) Arrested Development
I've written a lot about Arrested Development, and deservedly so. The show was that good at times, just a perfect show that encompassed everything you could ask from a comedy program. They could wear any hat, do any type of comedy. But the real differentiating factor was the show's tone, that it found almost immediately. It was that tone, that life, that allowed the show to portray what was seemingly a believable family made up of absolute narcissistic idiots. They were able to have absurdist ideas and dialogues and ground it in a relatble way. They did something impossible: essentially be a plot driven and joke driven show at the same time. They wrapped reference upon reference in the show, hid jokes behind jokes. I still find new jokes each time I watch episodes. The show was just so well written, so amazingly cast, and so well put together. It really comes back to that tone. Put on any random episode of Arrested Development and within five minutes you get that tone, you get the feeling you are watching a show unlike any other. 30 Rock tried to be that way, but it never got as grounded (or as funny). Arrested Development was pretty damn perfect. I highly doubt I'll ever watch any comedy that is simply just that good.
1.) The Wire
I've written way too much about The Wire, especially with a certain 50 Top Characters ranking back in the February-March of 2012, but I could probably pump out 10,000 more words. Here's the best thing about The Wire: It has essentially ruined shows for me forever. Nothing will really live up to the standarad that The Wire set about how good the TV Mdium can be. Nothing will match it's character complexity, it's plot complexity, it's mix of dialogue and style. Nothing will match it. Stuff comes close. Breaking Bad came about as close as I can imagine a drama coming. I will never give up hope for a show to match The Wire, but it's pretty damn unlikely.
Anyway, here's another few shows that I'm holding out judging for at least another year or two:
- Veep - probably the toughest cut. It's been pretty spectacular in its first two seasons. I have some reservations if it can continue as the plot advances to where Selina is possibly running for President, but it has created an incredibly cutting style that is unmatched with anything else on the air.
- Orange is the New Black - probably the best of Netflix's Original Series, it was far less dark than I imagined (I was picturing a female Oz), and far more introspective than I pictured. The amount of interesting characters they explored in just 12 episodes is pretty stunning.
25.) The Larry Sanders Show
I haven't finished the entire show, but from what I have seen, it does 'Behind-the-Scenes of Show Business' better than any show I've seen. It isn't the absurdist show that 30 Rock is, but had a great cast of characters, and used guest stars, which it had basically every episode, quite well. It just wasn't always funny all the time.
24.) Shameless
Shameless is now on its 4th Season, and it is going through some large changes making it very different from what the show used to be. Jimmy(Steve) is no longer a character, Fiona is in a steady job (for now), Lip is in college, and, of course, Frank can't drink, but the lifeblood of the show remains. Shameless showed a really unique side of America, the lower-class white community, that hadn't really been shown before. It wasn't always shown well (almost anything involving Sheila in Seasons 1-3 didn't work for me), but it was unendingly entertaining.
23.) Oz
Just like The Larry Sanders Show, I haven't seen all of Oz, but I've seen enough to get a good idea of what it is all about. Oz was the first real HBO drama to be critically acclaimed, coming a good three years before The Sopranos and five years before The Wire. Telling the story of an experimental unit of a prison, Oz was able to combine the exploration of different themes and thoughts with drama and prison intrigue. It was always informative, but a little slow at times.
22.) Archer
I've backlogged Archer Vice right now, but through four seasons, Archer has become one of my favorite wasting-time shows that I put on in the background. I can't get enough of the fast-paced dialogue, the ridiculousness of Sterling, the brilliance of what is essentially Lucille Bluth, and everything else that makes Archer so damn funny. My only quibble is I'm not always a fan of the HR people back at the office like Pam and Cheryl.
21.) Everybody Loves Raymond
The best traditional sitcom I have seen still gets high praise for me. Everybody Loves Raymond was more like a series of little plays, using a few characters and even fewer sets. Everyone's role was well-defined and consistent. There was little character growth but there never needed to be. Instead of put the family in funny situations, they made the family respond to normal situations in the funniest of ways. A consistently good traditional family sitcom should not work in this environment, but Raymond not only worked, but got better as it went on.
Some Really Very Good, Underrated Shows (Plus one early-2000's love affair)
20.) Happy Endings
Man, if only Happy Endings was on NBC, it would have been easily entering its 4th season right now. I've never seen a show start out aimless but find itself so quickly and so effectively. The show started out as a romantic comedy of a group of six friends reacting to one of them leaving another at the alter. That version ended in about 4 episodes. After that, it became a brilliant, pop-culture, caustic joke-machine. I've never seen a show mine so much comedy out of friends being mean to each other. They also quickly defined each character into solid, separate roles that all worked. It's extremely rewatchable, as you pick up little nuances in the performances that make it so damn joyful. It would be higher if it lasted more seasons, and if the first eighth of the show didn't suck. In retrospect, it would have been amazing to see how long they could have kept the pace up,. Even at times in third season it slowed down, but just for an episode or two. After that, they would return to being the most rapid-fire joke show in the last 10 years.
19.) Party Down
It's odd to hold a show back for only lasting three seasons only to extol the virtues of a show that lasted just two, but Party Down was really, really good. It's a pretty novel idea created initially by Paul Rudd, and then by his friends Rob Thomas (not the singer) and Dan Etheridge. They, combined with one of the most talented casts you will see, created a really good show that did not ever have a bad episode. They took eight people that were extremely talented, gave them good material, and let the talent do what talent will do. What killed the show, ironically, was that incredible cast, as they couldn't hold such talent forever on a show on Starz that no one watched live. First, it was Jane Lynch getting called for Glee, but what ended the show effectively was losing Adam Scott to Parks and Recreation. They did leave behind 20 episodes of pure gold, detailing the lives of cater-waiters just trying to have fun in whatever ridiculous situation their job puts them in.
18.) Whose Line is it Anyway
It's a show that still works better in Youtube form when you can pick and choose your favorite sketches (or just watch loops of Colin and Ryan bantering in the intros to various sketches), but the show was ahead of its time. It was when UCB and the alt. comedy/improve was just becoming mainstream in clubs, but far before the same was true on air. Still, Whose Line left us with tons of episode of laughs upon laughs. Sure, it wasn't totally improv (the cast members knew what games were being played, and the show was edited), but it was pretty much improv, and showcased a bunch of talented people. Apart from Wayne Brady, and to a point, Greg Proops, none of them have found lasting success outside the show, but my God they were gold on the show. Whose Line should have been more successful, but it was always a cult hit with tweens (I was among that group when the show was on the air), and found a lasting presence online.
17.) Parenthood
There shouldn't be a place for family dramas in the current TV landscape, but Parenthood continues to work. Sure, they've had their missteps over the years (let's just pretend Kristina never ran for mayor of Berkeley), but they've also had some incredible shining moments. All the early material with Max's asperbergers was brilliant, grounded a show that took a while to flesh out its other characters. Like most shows on this list, the acting was brilliant from the beginning. Every character was well cast, even Ann-hog/Beal/Plant/Annabeal Veal herself, Mrs. Mae Whitman. All the stuff with the Siblings Braverman has been awesome from the beginning, including every scene when the four of them are together. They've touched upon basically ever family conflict (divorce, affairs, adoption, child rearing, illness, cancer, money, moving) and done almost all of them well. The show will probably end soon, and just in time to finish off that Bingo! of Family Drama topics with a perfect A- average.
16.) Men of a Certain Age
Just like the show at #19, Men of a Certain Age lasted just two seasons on the air, before it could make a real lasting impact and totally figure itself out. But whatever it did, it worked incredibly well. Ray Romano was always underrated in his acting on ELR, but he proved just how good an actor he was on this show. Of course, it was hard him to even stand out next to Scott Bakula and Andre Braugher, all getting good material and playing the hell out of it. This show probably had the lightest stakes of any drama, but those light stakes just made it realistic, really, incredibly, realistic. Romano gave each of the main three characters some interesting beats to play, but the overarching tone was to get over disappointment and enjoy whatever you can about that 'Certain Age'. What I really loved about the show was the small set of recurring characters it had, but how well placed they all were inside that shows ecosystem. A great blend of overarching darkness and small moments of joy.
15&14.) Veronica Mars & Buffy the Vampire Slayer
I'll admit, I've seen every episode of these shows. They're hard to really place apart from each other, as they follow similar constructs: a strong, beautiful female high-school girl who has a special talent but lives as an outcast. She befriends some other strange people, has an older male guide, and solves everyone's problems. There are major differences. Veronica Mars was far more grounded. It did a lot better actually showing the dynamics of a high-school environemnt. Buffy added fantasy to the mix, but also did better in romantic storytelling. They're both excellent shows. Buffy probably reaches higher peaks, but Buffy also lasted past its expiration date and suffered with lackluster Seasons 5 and 6. Veronica Mars, coming a good seven years after Buffy premiered, never got the chance to last that long, but that allowed it to leave before it got dated. Both the lead actresses were wonderful in their roles. Buffy had a stronger core group of supporting characters (Xander, Willow, Giles, Angel for a period, Spike for period), but Veronica Mars had a deeper stable of dependable, if not true supporting, characters. Buffy kind of perfected the 'Big Bad' style of storytelling, while Veronica Mars did as good a job of playing out a murder mystery as anything you will see on a more adult show. Two great shows, and I'm not even close to joking.
Some Really Great Shows
13.) Parks and Recreation
Like many shows that lasted over four seasons, Parks and Recreation settled into a nice little groove, consistently churning out B episodes. They're still doing it too. What's nice about Parks is there has actually been character development that seemed really natural. Ron's now married. Tom's a semi-successful entrepreneur. Leslie's achieved her dream and now lost it. Beyond all this plot development laid an extremely funny show. Parks and Recreation did a far better job satirizing politics than people gave it credit for, but more notable was just how well they wrote that world. Nothing seemed more funny and eccentric than the town of Pawnee. They also were smart enough to limit the use of Ron Swanson, an unending pot of comedy Gold. Like HIMYM, Parks and Recreation is nowhere near as good of a show post Season 4, but unlike HIMYM, it is still a good show, and good enough to basically hold this ranking going forward.
12.) Curb Your Enthusiasm
There is a non-trivial chance that Curb never returns. Of course this will be a sad-thing, but Larry David has generally said that he'll stop when he no longer has ideas, so it's probably better for him to stop off a solid season. Curb probably isn't as consistent as many of these shows, but few reached the heights it did. Few were able to feature such well-to-do characters and still make them grounded. Making Larry single kicked the show in the ass after some less than stellar seasons in Season 5 and 6, and returned the show to its old glory (reuniting Seinfield did that as well). It's stunning that the show is mostly improvised, as the jokes are so sharp, so witty. Also, no show has used guest stars better. Sure, Curb gets to use recurring characters playing themself, but they've made those characters almost always seem more than just stunt-casting. Curb's left a lasting impression on the comedy world for a lot of other shows to copy. Hopefully just one of them can come to close to matching it.
11.) Game of Thrones
Full disclosure, I haven't ready any of the books, and apart from one spoiler I know nothing of what is coming forward. Anyway, the show rebounded from a slightly (relatively) disappointing 2nd season with a great 3rd season and a real hope for a great future of the show. There's a couple things this show does better than any I have scene: shoot the show in incredibly beautiful locations, and create lovable, hateable characters. They force people to accept the bad guy, but they make the bad guys so damn good. Game of Thrones has a large cast but they've done a great job of casting the show. There are few weak links in that cast, which matters a lot when they're given odd literary material to play with. This is one of the few film projects based off a book series that will probably be better in live-action form.
10.) The Colbert Report
The Colbert Report will never be better or worse than it is right now and what it was five years ago. It hasn't really ever changed apart from some segments replacing others. It's about Stephen, it is about him being incredibly talented and great in character, and challenging people to know how to enjoy satire. The writers are brilliant in being able to have genius takes on obscure news stories, but the researchers are the key. It is a lot easier to satirize a story and make the host the start when you are talking about asininely ridiculous things as they do. Anyway, The Colbert Report also found its foothold in giving us some of the most interesting interviews you can see anywhere. Colbert does use an unfair tactic about defending his position in character (see: ridiculous), but prosecuting his interviewee's position out of character (see: realist), but that just leads to some awesome, awkward, hilarious interviews. Because of Jon Stewart's summer hiatus, The Colbert Report finally won the 'best variety show' Emmy last year, and better late than never, as it definitely has deserved more than just one over its almost nine-year run.
9.) Tough Crowd with Colin Quinn
The Colbert Report essentially replaced Tough Crowd after two seasons, and thankfully they kicked Tough Crowd off the air for something worthy. A while ago I wrote that Tough Crowd would do much better today when standups are more notable in the public. I'm not so sure that is true. These were mainly the East Coast comics, the one's that burnt each other all the time, that responded with completely politically incorrect insults. It wasn't the West Coast let's-all-be-happy comedian group that kind of dominates today. Also, it featured conservatives. Big conservatives. But that's what made Tough Crowd so great. It didn't only have liberals, it didn't stick to any talking points. In fact, Colin Quinn quit the show than accept Comedy Central's directions to focus more on pop culture and less on politics and race. The show debated some interesting topics, but the real joy of watching the show was it shined a light on the famous back-room table discussions at The Comedy Cellar. It showed comedians just riffing on each other, pounding the comedian who told a bad, pandering joke, making fun of each other all the time. Sometimes the discussions went off the rails, but there was alwaays some jokes to be found. Colin Quinn cut as little as possible to show the jokes that bombed, showed the negative reactions, but also show just how much great comedians made each other laugh, and they made us laugh too.
8.) It's Always Sunny in Philadelphia
I said two years ago during my Comedy Power Rankings that It's Always Sunny was the best cable sitcom of all time. I still believe that to be true, and the two seasons that have happened since then only strengthened its position. It's Always Sunny, despite becoming more and more mature, has still been able to tie itself to its amazingly raw beginnings. Always Sunny has been able to satirize everything quite brilliantly and still show itself to be the raw, fast-paced dialogue based show it was in the beginning. They incorporated Danny DeVito brilliantly. Always Sunny has proven itself to be far smarter than anyone could have imagined. Rob McElhenny, Charlie Day, and Glenn Howerton have shown themselves to be as adept as writers and show-runners as they are as actors. It may mask itself as a show about five doofuses 'running a bar' while coming up with crazy schemes of the week, but the show is showing the idiocy in everything in the world.
7.) Boardwalk Empire
Full disclosure, I've only finished watching the first two seasons and two episodes of Season 3, but I think it's time I can judge what I have seen. I'm fascinated by this world, by the show, by the deliberate pacing, the touches of the 20's. Boardwalk Empire is to me what Mad Men is to so many: a brilliant period piece showing a fascinating time in American History. It is slow, but so many of the greatest crime and mafia works of art in US history have been slow (The Godfather, Pt. 1 and 2). The show is tremendously well acted, and well paced. I would never have imagined Steve Buscemi being so good as such a tough man but it works brilliantly. It's one of the rare shows were I have really no complaints with anything they've done. It was pretty much all 'A-minus' work, and that is really hard to do so consistently. I also love how they've worked in real life event and people (Al Capone, Arnold Rothstein, the 1919 Black Sox Scandal, and so much more). The show has woven a deep, timeless tapestry of life in The Prohibition Era.
The Pantheon
6.) The Daily Show with Jon Stewart
In one sense, The Daily Show isn't long for this world. Hints have been dropped that Stewart is far closer to leaving than staying. There's rumors that he will replace Dave Letterman as the Late Show host whenever he decides to retire, or maybe leave to produce movies. Still, as long as he's on The Daily Show, Stewart gives it the commanding presence it deserves and has always maintained since he took over 15 years ago. The show's definitely changed to a more overt criticism of news media and not just news, but remains the standard for political comedy discourse. His stable of correspondents have gone on to have success much the same way SNL players used to, and Stewart always used them well when they were on the show. The Daily Show has somehow kept its sense of purpose and Stewart has kept his enjoyment for all 15 years, which is an amazing feat given the amount of political turmoil the country has been through since he was hired. The show likely will carry on after Stewart leaves, and likely won't be as good, but The Daily Show, under Stewart's reign, has already made its mark on American TV history.
5.) Chappelle's Show
Chappelle's Show has fewer episodes of any show in this Top-10, but it didn't need to make any more to establish itself as one of the great shows of the 2000s, and one of the lasting culturally important comedy shows ever. Obviously, the part people remember about te show is the way it challenged race perceptions in the US, but that really is missing the forest for the trees. The show really excelled at just pointing out how different Black and White America was, and mining and incredible amount of comedy from just juxtaposing those cultures. Of course, when it just decided to focus on something random, not really pointedly connected to race, the show remained incredibly funny still. The amount of famous sketches are there, but they are backed up by a host of forgotten sketches that were just as funny. Chappelle left quietly under the night sky to Africa instead of doing a Season 3, and maybe just in time, as he left 24 great episodes, hours upon hours of great, rewatchable sketches, and a lasting comedic memory that will never leave.
4.) Seinfeld
For years I never watched Seinfield, never understood its appeal. Of course, the fact that I hadn't watched it made that second fact a little obvious. Then I started watching it. I started watching all the episodes. I started understanding its appeal, understanding what made it one of the best shows ever. I finally reached the point where I kind of figured it out. Seinfield was the best traditional sitcom because it found comedy in the most un-traditional of ways. It made its comedy in dialogue, in characters, in oddities, not in situations, not in romance, not in plot. It also got together four absolutely brilliant comedic actors/minds. Jason Alexander was amazing. Michael Richards was amazing. Julia Louis-Dreyfus was (and still is) amazing. Jerry and Larry co-wrote the thing. What do you get when you combine the creator or Curb Your Enthusiasm with another brilliant comedic mind of their generation? You get Seinfield, a show immensely rewatchable, a show that stayed funny over 150 episodes, over 10 years. No show on this list apart from The Daily Show ran longer, and few were better.
3.) Breaking Bad
Breaking Bad's incredible success commercially in its final season was odd to see as someone who had watched the show far earlier. It went from being a solidly watched show for cable (about 2 million) to being the most watched thing not on a network just like that. There's no show you can point to social media and Internet 2.0 being the catalyst of its success like Breaking Bad,. Of course, it helps that it was absolutely amazing. There may never have been a character short of Tony Soprano (a show I have yet to see) that was so well constructed, let alone well acted, as Walther H. White. The rest of the show had a nice, small, but well constructed cast, but it comes down to Walter White. In its totality, it is a perfect character piece, a great look at what really drives man, greed, love or desire. The meth (the science) went from the forefront to the background as the show went on, but what replaced it was more drama, more intensity, and more incredibly acted scenes. So much of what Breaking Bad was an exercise in the science of a TV show, in the creation of great moments, like the brilliant photography, the one-on-one dialogue, the interesting locations. Breaking Bad was a perfect showcase for what the medium can be.
2.) Arrested Development
I've written a lot about Arrested Development, and deservedly so. The show was that good at times, just a perfect show that encompassed everything you could ask from a comedy program. They could wear any hat, do any type of comedy. But the real differentiating factor was the show's tone, that it found almost immediately. It was that tone, that life, that allowed the show to portray what was seemingly a believable family made up of absolute narcissistic idiots. They were able to have absurdist ideas and dialogues and ground it in a relatble way. They did something impossible: essentially be a plot driven and joke driven show at the same time. They wrapped reference upon reference in the show, hid jokes behind jokes. I still find new jokes each time I watch episodes. The show was just so well written, so amazingly cast, and so well put together. It really comes back to that tone. Put on any random episode of Arrested Development and within five minutes you get that tone, you get the feeling you are watching a show unlike any other. 30 Rock tried to be that way, but it never got as grounded (or as funny). Arrested Development was pretty damn perfect. I highly doubt I'll ever watch any comedy that is simply just that good.
1.) The Wire
I've written way too much about The Wire, especially with a certain 50 Top Characters ranking back in the February-March of 2012, but I could probably pump out 10,000 more words. Here's the best thing about The Wire: It has essentially ruined shows for me forever. Nothing will really live up to the standarad that The Wire set about how good the TV Mdium can be. Nothing will match it's character complexity, it's plot complexity, it's mix of dialogue and style. Nothing will match it. Stuff comes close. Breaking Bad came about as close as I can imagine a drama coming. I will never give up hope for a show to match The Wire, but it's pretty damn unlikely.
